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Nietzsche on Music: The Subtle Sounds of Discord


# 6846
Nietzsche on Music: The Subtle Sounds of Discord
A study in music theory as perceived by German philosopher/musician/composer, Friedrich Nietzsche (1844-1900).
1,620 words (approx. 6.5 pages) | 4 sources | MLA | 2002 United States


Paper Summary:

An examination of Nietzsche's philosophies of music which are still applicable today, and can be seen as the foundation of modern music theory. Nietzsche extensively employed the terms "Dionysian" and "Apollonian" in his conjectures about music. These are terms that are in reference to Plato and his suppositions about simple, ordered and unassuming music (Apollonian) versus irrational, anarchic, chaotic music (Dionysian).

From the Paper:

"German Philosopher/Musician/Composer, Friedrich Nietzsche (1844-1900) was particularly interested in what he believed to have been the higher quality of life that prevailed in certain periods of history, such as the Italian renaissance, the classic era of the Greeks, and Moorish civilizations in Spain. While most art forms were included under a single umbrella in Nietzsche's philosophies, he wrote extensively about music and musicians as a unique and separate entity."

Cite this paper

APA Citation:

Nietzsche on Music: The Subtle Sounds of Discord (2012, January 15). Retrieved February 13, 2012, from http://www.academon.com/Essay-Nietzsche-on-Music-The-Subtle-Sounds-of-Discord/6846

MLA Citation:

"Nietzsche on Music: The Subtle Sounds of Discord" 15 January 2012. Web. 13 Feb. 2012. <http://www.academon.com/Essay-Nietzsche-on-Music-The-Subtle-Sounds-of-Discord/6846>




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hoon4vr US
Publisher Since:
Jul 31, 2002
B.A. in Journalism from Ohio State University, 10 years experience as a copywriter, 7 years experience as a freelance writer.
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