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Modernism in Films of 1960s


# 12636
Modernism in Films of 1960s
Examines modernist philosophy & devices & their application in "Who's Afraid of Virginia Woolf?", "Dr. Strangelove" & "Midnight Cowboy".
1,350 words (approx. 5.4 pages) | 4 sources | 1997 United States


From the Paper:

"Modernism is a term applied retroactively to certain literary and artistic trends at the beginning of the twentieth century. Certain modernist characteristics can be discerned in post-1960 culture. Contemporary culture seems less to have gone on to new concerns and issues than it seems to have institutionalized certain modernist characteristics as if they had meaning in their own right. In a sense, though, they are used to avoid meaning altogether or to give the illusion of meaning where there is none. The disjointed time sense, the flight from the conventions of realism, and the adoption of complex new forms and styles in the modernist period were undertaken to provide new meaning, to illuminate the world in a different way, and to show different relationships within the observed world. Aspects of the trend can be discerned in three.."

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APA Citation:

Modernism in Films of 1960s (2012, January 15). Retrieved February 12, 2012, from http://www.academon.com/Essay-Modernism-in-Films-of-1960s/12636

MLA Citation:

"Modernism in Films of 1960s" 15 January 2012. Web. 12 Feb. 2012. <http://www.academon.com/Essay-Modernism-in-Films-of-1960s/12636>




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