Shows how certain Machiavellian theories on power can be viewed in plays by William Shakespeare, namely "Richard III" and "Henry IV".
Written in 2005; 1,985 words; 3 sources; MLA; $ 63.95
Paper Summary:
In William Shakespeare's time, society adhered to the sacred view that it was God's Divine Will which selected the ruling monarch of the British nation. The playwright of "Richard II" and "Henry IV Part I", however, illustrates in these two history plays, a rather modernized concept of leadership that supports the Machiavellian view of power politics. The paper explains that Machiavelli's central argument in "The Prince" is that great politics are created and maintained by cunning men of high enterprise, who possess both virtue and prowess. The paper shows that despite their illegitimate claim and unconventional incarceration of the crown, the lead characters in Shakespeare's two plays, Henry Bolingbroke and his son Harry, showcase qualities that make them effective Machiavellian rulers who prove their worth as kings through their astute thoughts and actions.
From the Paper:
"Like a superior Machiavellian leader, Harry clearly shows the intelligence and aptitude for the psychological machinations required of capable kings. By his cleverly devised plan of action, Harry is able to manipulate and deceive people into believing whatever his portrayals or intentions are required from them. He does not show his full potential and aspirations to be a great leader right away, as Harry is fully aware, there are certain rules involved in getting and keeping power. A regal king is often imprisoned within the masks he must wear successfully to retain his power and be able to change his character donning different ones to keep up with his fickle fortune. Harry illustrates that if circumstance calls for heroic and daring behaviour, such as when he battles Hotspur to protect his father's throne, he becomes the lion."
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