An analysis of the film and play, "M. Butterfly" by David Henry Hwang.
Written in 2002; 600 words; 0 sources; $ 21.95
Paper Summary:
The paper explains how the play and film of "M. Butterfly" both tell the same story in much the same way, but there are some details that are very different and the way elements are emphasized is different. It shows how both the play and the film raise the same essential question for the viewer, though, a question that was originally raised by the true story on which each is based: Given that the diplomat in the story has an affair for several years with a man dressed as a woman and claimed not to know that this was a man and not a woman, how is this possible?
From the Paper:
"The external world of the film is more realistic than the "suggested" world of the stage, and this also undercuts the way the play deals with the conflict between reality and illusion because it makes reality more real and the illusion more obviously an illusion. The way Hwang develops Song Liling contributes to the essential deconstruction of Madame Butterfly, for while Song Liling decries the story of the opera, he makes use of it to seduce Gallimard and plays the part of Cio-Cio San in their relationship. "
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