An examination of American influence on foreign cultures.
Written in 2003; 2,646 words; 10 sources; MLA; $ 79.95
Paper Summary:
This paper discusses how, over the years, U.S. culture has managed to integrate bits and pieces of itself into the languages, music, movies, television and the traditional values of foreign cultures, thus changing them. It evaluates how the amount of integration has become an increasing problem as more and more U.S. culture becomes prevalent in foreign cultures and how foreigners may be in jeopardy of losing their cultural identity to U.S. cultures. The paper also includes the effects of influences such as individualism and feminism.
From the Paper:
"Another section of U.S. culture that squirms its way into other cultures and influences that culture is music. Many great U.S. bands have started their careers in other countries. Jimi Hendrix got his big break by touring the United Kingdom, and most U.S. citizens will never forget that, for some reason, Germans love David Hasselhoff. The big artists in the U.S. today play a large role in foreign cultures. Many bands such as N"Sync, Marylin Manson, and Weezer depend on foreign markets as a major part of their income. The 2002 MTV Asia Awards are a prime example of this kind of influence. There are six international categories for music artists to compete in, and the winners were picked by viewers that called in their votes (Morris). In each of these categories no Asian artists were nominated, and these nominations were mainly of U.S. artists such as Britney Spears, N"Sync, the Backstreet Boys, Linkin Park and Bon Jovi("The Nominees")."
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