A look at modern Italian cinema through the review of the style of three different directors, De Sica, Fellini and Tornatore.
Written in 2002; 1,650 words; 4 sources; $ 62.95
Paper Summary:
This paper will explore three phases in modern Italian cinema as represented by the work of three directors. As will be seen, De Sica's neorealism, Fellini's auteur cinema and Tornatore's modern sentimental revisioning represent a complex progression in the concerns and aesthetics of Italian cinema.
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