A comparison of the 1950 and 1982 films as examples of film noir genre. Includes sociohistorical contexts, direction, the psychology of characters and iconography.
Written in 1994; 1,350 words; 3 sources; $ 47.95
From the Paper:
"One of the most potent film genres in terms of subsequent influence was the so-called film noir, so-called because no one making a film noir at the time of its creation and ascendance ever used the term or even assumed that they were working in a genre or style that might deserve a name of its own. the term was applied long after by French critics who noticed a stylistic shift in American films in the 1940s, and as Thomas Schatz notes, this style dominated films in the late 1940s and early 1950s to such a degree that it came to identify both the narrative-cinematic style of those films and also the historical period during which they were produced (Schatz 112).
The style would have an influence long after that historical period ended. Indeed, it continues to have an influence today..."
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