Examines the role of literature in presenting the inconsistencies of stereotyping and racism in South Africa.
Written in 2005; 1,800 words; 4 sources; $ 71.95
Paper Summary:
This is a thematic paper based on the example of South Africa's imperialism and beyond, in Apartheid and anti-Apartheid movement, and correlations in a global Black Power movement of different manifestations. Through various points in the paper, a warning is made of the perils of including racial categories in future thinking, in the need for humanism as opposed to new categories or patterns as guidelines for assessing conflict in the future. The paper shows that there is a clear role for the artist and writer in presenting the inconsistencies of humanity and the need to guard against stereotypes of every variety.
From the Paper:
"Imperialism in South Africa produced archaic institutions that till the late 20th century, remained in effect, and in particularly South African forms. From the 1652 landing on the Cape, the Dutch put in place the foundations of a society distinguishing European and African, towards what Dunbar Moodie would describe in the 20th century as an Afrikaner 'civil religion'. (1975) When South Africa became part of the British Empire, different Afrikaner attitudes, practices and institutions were carried over, combined with Victorian British ideas of how colonies ought to be organized, and reinforcing a social order according to race that drew much from Social Darwinism as it shaped metropolitan British culture of the day."
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