Studies the literary images used by Henry James in a selection of his fictional and non-fictional works.
Written in 2003; 26,391 words; 20 sources; MLA; $ 249.95
Paper Summary:
This thesis finds that Henry James' images of New York can be studied and then grouped systematically according to various themes which they represent. These themes are compared, contrasted and analysed in detail. The thesis also finds that there is a clear development in style of the images from James' "early period" through to his "late period".
Introduction
I Chapter One:
I.I The American Scene: A Review
I.II Morality, Manners and the Human Spirit
I.III Masculinity, Femininity and Culture
I.IV Voices in the Air
II. Chapter Two
II.I Washington Square
II.II The Jolly Corner
II.III An International Episode
II.IV Crapy Cornelia
Conclusion
Notes
Works Cited
From the Paper:
"I would now like to return to a discussion that was first invoked in Chapter II.III regarding theories of style, specifically: dualism, psychological monism and aesthetic monism. These theories are intrinsically interwoven with discussion of realism and, hence, images of New York in the works of Henry James. To discuss one of these, one needs to discuss the other. "Dualism" contends that a writer's intention may be expressed in a variety of ways. The writer's intention is "deeper" than his expression of it. "Psychological monism" shows that the author's intention directly relates to a particular style. A different intention would, therefore, result in a different style. "Aesthetic monism" argues that an author's intentions are irrelevant in determining the meaning of a work. It is more useful to discuss the intention of the work itself rather than the author."
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