Homage or Plagiarism

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This paper discusses how cinema is an art form that, like drama or literature, evolves through repeated generic patterns that are distorted or modified by successive generations of filmmakers to develop new genres. It carries on to say that in the 20th century this process can be seen in how American film noir exhausted itself only to be assimilated by French directors of the New Wave who saw in its distinctive characteristics a new mode of artistic expression, which in turn faded, only to be harnessed again as a source of inspiration for American directors of the 1970s.

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