An overview of the use of color theory and physics in the paintings of Georges Seurat.
Written in 2002; 1,400 words; 3 sources; $ 53.95
Paper Summary:
This paper will examine Seurat and his paintings - and, in particular, the use of colour theory and physics in his painting - in order to demonstrate how the artistic and the scientific can be complementary as opposed to mutually exclusive propositions. While it must be acknowledged that Seurat was not a "true" scientist in any respect, nonetheless, his insights into colour theory represent a pivotal moment in Western art history when science and art converged.
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