Describes the 1948 film as a prime example of film noir ideology and its visual style. Examines the characteristics of the anti-hero. Discusses the pessimistic tone of the film compared with the optimistic tone of previous Hollywood genres.
From the Paper:
"America's dominant myths, as revealed in political speeches, books, television and film are grounded in optimism. As the land of opportunity, the American myth was based on the simple, idealistic belief that even if the streets were not paved with gold ..."
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