Analyzes Jules Dassin's 1950 "Night in the City" as example of film noir mise-en-scene. Discusses the film's visual style as shown in its camera angles. Discusses its theme, characters, plot, and conflicts, as well as its sense of desperation and alienation.
From the Paper:
"Film Noir as a cinematic style is more dependent on nonverbal and visual effects than more conventional content oriented films. As Paul Schrader points out, film noir was "first of all a style because it worked out its conflicts visually rather than them..."
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