A look at how the self-referential structure of Fellini's "8 +" defines the film as an auteurist production.
Written in 2002; 1,400 words; 7 sources; $ 53.95
Paper Summary:
This paper will discuss the work of a director who is generally acknowledged to be one of the great auteurs of modern cinema, Federico Fellini. It will be argued that his film "8 +" (1963) produces meaning through the tension between the director's personality and the material with which he is working; one of the defining elements of "auteurist" cinema. This paper will demonstrate that what renders "8 +" a work of an auteur is the extent to which Fellini mines the familiar pattern of self-reference - a signature of Fellini as auteur - to such a degree as to make the exploration of radical subjectivity into an objective statement about the role of the director as auteur and his function within the filmic text.
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