Discusses outstanding films of Germany, France, and Italy.
Written in 2003; 2,475 words; 5 sources; $ 87.95
Paper Summary:
The paper examines German Expressionism and cinematic images that evoke psychological states of being. It also discusses the French avant-garde of the late 1920s and the "absurd realism" cinematic art form, as well as Italian films of the same period.
From the Paper:
"FILM GENRES OF EUROPE
While Americans were laughing at Chaplin and Keaton and the Keystone Kops, and being awed by the spectacles of Griffith, and DeMille, European cinema was much more stark and dark and realistic. From the post-World War I product..."
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