A review of the painting "Europe after the Rain", by Max Ernst.
Written in 2005; 1,800 words; 3 sources; $ 71.95
Paper Summary:
This paper focuses on Max Ernst's painting of 1940-1942, "Europe after the Rain", which expresses surrealism's frequent appeals to the primordial, shamanism, and a strong critique of modernist positivism. Ernst painted this work at at a time when no one could predict the outcome of WWII, and seems to pronounce that whatever occurred, European civilization would be reduced to a primeval, rough state, vestiges here and there to remind of a civilization bent on self-destruction in not one but two world wars.
From the Paper:
"Surrealism has been noted for its spiritual and political, as well as artistic expression, for an appeal to the unconscious, and to symbolism liberated from conventional form. As part of Modernism, it promoted alternative, critical, versions of civilization and the societies in which we live. In the mid-1930s, Max Ernst described in Beyond Painting that Surrealism was a form, all its own, which required particular mental processes. In childhood, Ernst showed a powerful imagination and interest in its powers, and these took centre stage in a career that developed in the aftermath of World War I."
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