Discusses materials and chemical properties of typical eighteenth century watercolors.
Written in 1999; 1,664 words; 12 sources; MLA; $ 54.95
Paper Summary:
This paper analyzes the physical and chemical properties of the constituent elements used in typical eighteenth century watercolors. The structure of the sheet of paper, the function of the sizing, as well as the properties and drying of the gum Arabic and the coloration and permanence of pigments are discussed.
From the Paper:
"Indigo is a deep, transparent blue that is no longer used as a permanent colour. As it is not entirely light-proof, it absorbs a lot of light but also reflects some depending on the thickness and density of the paint when applied on the surface of the rag paper and the surrounding colours. Its permanence as a pigment considered to be problematic because it tends to fade or even flake if not properly diluted. However, artists can create a very attractive tonal effect, especially when used with compatible surrounding colours."
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