This paper examines how Egyptian mystics were the first to conceptualize a coherent theory of the human soul and how remarkably, their theories also bear many striking resemblances to modern theories of the conscious and subconscious. It shows how being both ancient and relevant, it is no surprise that Egyptian mythologies and theoretical constructs have had a great influence on many artists. It looks at how among artworks bearing an obvious debt to Egyptian theories of the Soul are those of the founder of the Cruxshadows, an American-based artist who is wildly successful in Germany. It evaluates how despite the fact that Egyptian soul theories have influenced the entire course of modern thought, particularly in their influence on Greek and Hebrew thought, they remain immensely confusing to modern researchers.
From the Paper:
"The Cruxshadows are an independent musical group primarily consisting of an artist named Rogue and his accompanying musicians. (Incidentally, "Rogue" is the only name by which the artist in question is known, having used it exclusively since early childhood.) In America they are not particularly well known, due to the highly academic nature of some of their work, however they have reached super-star status in much of Europe, particularly in Germany and Austria. Much of Rogue's work deals with mythological and classical tradition applied to futuristic concepts, and he is particularly concerned with Egyptian mythology and history. According to the Book of Cruxshadows (an independent organization devoted in part to the scholarly study of "Cruxshadowian" lore), the entirety of Rogue's available work deals with a single over-arching story called the Angel Cycle."
"Egyptian Souls" 15 January 2012. Web. 10 Feb. 2012. <http://www.academon.com/Essay-Egyptian-Souls/29770>
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