This paper analyzes the radical film "A Man with a Movie Camera" by Dziga Vertov.
Written in 2005; 2,475 words; 8 sources; $ 97.95
Paper Summary:
This paper explains that Vertov's film "A Man with a Movie Camera" is radical not only for how it transforms consciousness but also for allowing the viewer to observe how this transformation is accomplished. The author points out that Vertov has an avant-garde vision of a utopia where workers and machines are one. The paper relates that Vertov firmly believed that "the kino-glaz [the eye of cinema] was ideal for revealing the world of ordinary people.
From the Paper:
""Man with a Movie Camera" illustrates a truly radical work of art. The film depicts not merely a day in the life of a city but is additionally a study of the art of filmmaking. Not only does the film demonstrate that art can transform consciousness, but the view actually can observe just how consciousness is transformed. Vertov was committed to the concept of the socialist documentary but aligned himself with the futurists. He firmly believed that "the kino-glaz [the eye of cinema] was ideal for revealing the world of ordinary people" (Dashiell 1)."
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