A production analysis of the film trailer for "A Touch of Evil -- The Strangest Vengeance Ever Planned!".
Written in 2006; 2,625 words; 12 sources; MLA; $ 79.95
Paper Summary:
The editors of the trailer of the film "A Touch of Evil" were provided with thirteen minutes of film to be edited from the Orson Welles' masterpiece, "A Touch of Evil." This paper examines how using these thirteen minutes of film, the editors produced a one-and-a-half minute trailer using Adobe Premier Professional. The process is described followed by a summary of the project in the conclusion.
Outline
Introduction
Review and Discussion
Background and Overview
"A Touch of Evil"
Steps to Trailer Production and Rationale
Conclusion
From the Paper:
"The music in "A Touch of Evil" was written by none other than Henry Mancini. According to Nowell-Smith (1997), "The fate of jazz as film music strongly resembles that of classical music: it was taken over by established film composers like Henry Mancini, Lalo Schifrin, Dave Grusin, John Barry, and Michel Legrand, who took elements of its basic language and integrated them into a 'mod' style tailored to the flow of the film" (p. 563). The film is set in a fictional Mexican border town, "Los Robles" (described on a billboard at the edge of town as the "Paris of the Border" (Case, 1996); however, it was actually filmed in Venice, California because the place looked "convincingly run-down and decayed" (Plot Summary, 3)."
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