"Die Liebe Der Jeanne Ney" ( Dir Gw Pabst )

From the Paper:

"The New objectivity in German art was a reaction against the colder and more extravagant Expressionism. The new approach is evident in G. W. Pabst's silent film Die Liebe der Jeanne Ney (1927), a romantic film which has a strong sense of social realities and contrasts and which draws on the Soviet cinema of the time for inspiration. Pabst here intermixes the montage of the Russian filmmakers with camera movement and extended tracking in a realistic vision of the different social strata of the time. This approach differs from that of Expressionism, which was more rhythmic and expressive of internal states, while the new objectivity is precisely that--objective and so standing outside the object to observe and record.

The power of German Expressionism is evident in the images that persist from films of the 1920s and 1930s first from Germany ..."

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