A look at how artist Carlo Crivelli's painting follows the conventions of a typical pieta.
Written in 2002; 1,416 words; 4 sources; APA; $ 47.95
Paper Summary:
A pieta is described as a painting or sculpture of the body of the dead Christ being supported by the Virgin, often with other mourners present. This paper analyzes how the painting "Pieta" follows the conventions of a pieta by depicting all of the above. The paper shows too how Crivelli's own unique style is apparent in the work, seen in the attention to detail and the gothic elements. This style of Crivelli's is related to his own background as an artist. By looking at the artwork further, the paper shows how the work is a reflection of Crivelli's background and influences as well as a product of the cultural context at the time of its creation during the Italian Renaissance.
From the Paper:
"Another aspect of the Renaissance that is apparent in Crivelli's work is the focus on religion. It has been noted that, ?While the political power of the church declines during the Renaissance... the Renaissance artists, remained devout Catholics.? This aspect meant that biblical scenes continued to be popular subjects for paintings. This is reflected in Crivelli's work with all of his works being religious in nature. As in the example Pieta, Crivelli maintained the religious subject but changed the way it was approached, adding his own perspective to the work, just as the trend was in Renaissance."
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