This paper discusses Caribbean popular culture and freedom and looks at pop culture as a means of transgression.
Written in 2005; 1,575 words; 4 sources; $ 62.95
Paper Summary:
This paper focuses on the 'physical arts' found in the popular culture of the Caribbean. Specifically, this paper argues that pop culture was and is a form of transgression against external control - specifically European control. Of especial interest, the paper looks at Haiti, for in Haiti - thanks to Aime Cesaire - an appreciation developed for how culture could used as a means of breaking the shackles of European control.
From the Paper:
"When one assesses popular culture in a Caribbean nation such as Haiti, what becomes apparent is that popular culture is far more than a means of cultural expression; it is, in a very real sense, a tool of defiance - a mode of transgression. This paper will focus upon the use of popular culture throughout the Caribbean as a way of breaking the shackles of European, colonial oppression. In particular, special emphasis will be placed upon Haiti, for this small nation is an especially good example of how a vigorous popular culture can work to ensure freedom and the perpetuation of racial and cultural distinctness."
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