This essay discusses whether commercialization caused the artist to move from being the slave of his patron to the slave of the market.
Written in 2001; 1,690 words; 4 sources; MLA; $ 54.95
Paper Summary:
This paper is a study on the changing role of the artist in European society, as seen in its case study of Antonio Canova. It asks whether increased demand for art, and increased commercialization, gave the artist greater freedom as it released him from the grip of his patron; or, whether this only subjugated him to new restrictions, those of a competitive market.
From the Paper:
"Before the nineteenth century artists in Europe relied almost entirely upon their patrons to finance their work. It was extremely difficult, and pretty much unheard of, for an artist to finance his own profession, and there was not a large enough market to create a piece without having a specific buyer in mind. Therefore, patrons could, and often did, exert a large influence on the outcome of the work."
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