An analysis of Christian iconographic symbolism in the Mannerist Movement within Giovanni Battista di Jacopo's (Rosso Fiorentino) 'Allegory of Salvation' with the Virgin and Christ Child.
Written in 2006; 1,575 words; 4 sources; $ 62.95
Paper Summary:
This paper discusses how the biographical account of Rosso Fionrentino's artistry has been conveyed through the painting Allegory of Salvation with the Virgin and Christ Child. By realizing the growing rift between classical painters and the new Mannerism of the High Renaissance, one can realize how the various anatomy, form, color, and lighting play into the intellectual stylistics of this work. The paper further discusses how the symbolic representation of Mary and Jesus becomes a distorted and often bizarre account of the Bible, which seeks deeper intellectual qualities that depict a more abstract religious experience.
From the Paper:
"This art study will examine the nature of Mannerist painting within the work of Giovanni Battista di Jacopo's (Rosso Fiorentino) "Allegory of Salvation with the Virgin and Christ Child." By realizing the painter's biographical background, one can realize the Christian symbols and motifs that reside within this painting. The sense of In comparing this painting to his other works, the Mannerist dictates of style often allowed these deviations from form and anatomy, which Mary and Christ invoke in this work. Although this work would be considered of his middle period, the trends in his painting did not deviate too far from the Mannerism that he enjoyed so much in his stylistics. "
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