Analysis of the position that angels hold in Italian Renaissance art. Focus is on iconography of the Archangels. Describes such paintings as: THE ARCHANGEL MICHAEL; Lotto's THE ANNUNCIATION; & Savoldo's ST. MATHEW & THE ANGEL.
Written in 1994; 1,575 words; 5 sources; $ 55.95
From the Paper:
"Angels hold a particularly important position in Renaissance art, and the iconography of the Archangels is especially meaningful. The Archangels are the seven angels who stand before God in Revelations. The Koran of Islam only recognizes four and only names two. Christian and Jewish sources agree on the number seven, but there is a debate over who they actually are. Four names appear regularly in these discussions, however--Michael, Gabriel, Rapha-el, and Uri-el. The other three traditional candidates are chosen from Metatron, Remi-el, Sari-el, Ana-el, Ragu-el, and Razi-el (the suffix "el" means "brightness" or "shining"). The Archangels are said to be messengers who carry Divine Decrees, and they are considered the most important intercessionaries between God and humans. It is they who command the legions of Heaven in their constant battle with the Sons of.."
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