An analysis of the artistic creations of pre-modern India, China and Japan.
Written in 2005; 675 words; 0 sources; $ 26.95
Paper Summary:
The paper explores representative artwork that neatly encapsulates the cultures from which they sprang. In each instance, be it Ganesh, Chinese ritual bronzes, or sculptures portraying Amida, the artwork that the paper discusses has provided unique subtleties and nuances that reflect the subtleties and nuances of their respective cultures. No less importantly the aforementioned artwork illustrates the intersection between art and religion and the paper discusses how religion gives shape to both a society and to its artwork.
From the Paper:
"Finding the Souls of Ancient Societies in Their Artwork: the Artistic Creations of Pre-Modern India, China and Japan It is commonly said and written that the artwork of a society is a mirror into that society. The following paper will examine this proposition by looking at Indian Ganesh artwork, representative Chinese artwork from the Bronze Age and, not least of all, Buddhist artwork that captures the spirit of ancient Japan. What should become when reviewing each of these artifacts is that a society's collective soul is often to be found in the artwork it produces - at least if the observer is prepared to look hard enough and long enough for it. The imagery associated with the Indian deity Ganesh is quite astounding."
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