This paper is a critical analysis of "The Annunciation", by Francisco de Zurbaran. It considers the choices made by the artist, including time, characters, and emphasis. Specifically, Zurburan decided to paint the scene as if the Virgin Mary had already received her message. This topic is explored, especially as it relates to other painting of the same subject. Also, the somber tome is considered; which conveys a message of importance in and of itself. Finally, the surroundings within which the artist places Mary conveys a "heavenly" idea.
From the Paper:
"A person who learns that she is going to give birth to the Son of God experiences a unique event. In Christian history, the only person that had such a privilege was the Virgin Mary. The scene where the archangel Gabriel has alighted near her to tell her the startling news has fascinated artists throughout time and throughout the world. There are innumerable emotions and interactions that can be interpreted from the biblical text describing the exchange between the two protagonists. In attempts to illuminate some of them, different artists have used a variety of parameters and techniques to show their audiences what they considered to be the important ideas connected with the annunciation. These and concepts include the actual point on the time-line between Gabriel's arrival and departure that the artist chooses to depict, the physical gestures and positions of the figures, and actual physical methods employed in the creation and composition of the work itself such that a viewer's attention is drawn to a certain aspect of the event."
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