An analysis of four contrasting William Blake poems from "Songs of Innocence and Songs of Experience", demonstrating both the contrary states of innocence and experience and Blake's social criticism.
Abstract A paper contrasting "The Chimney Sweeper" poems from William Blake's "Songs of Innocence and Songs of Experience" with "The Ecchoing Green" and "London". The paper focuses on the portrayal of the contrary states of innocence and experience, but the paper suggests that in a greater thematic sense all poems carry Blakes social criticism of the hypocritical Romantic society.
From the Paper "William Blake, from a young age, displayed a vivid imagination which was not looked upon favourably during the pre Romantic period. He continued throughout his writing to radically question religion and politics, especially critical of the church, putting forth his views on the world. Perhaps what Blake is most famous for are his contrasting Songs of Experience and Songs of Innocence poems, which have either been paired by Blake himself, or by critics in their interpretations. In plate three of "The Marriage of Heaven and Hell" Blake wrote, "Without contraries is no progression", this statement defining the contrary states of Innocence and Experience, regarded as necessary to both human existence and human progress."
Abstract This paper argues that in her novel, "Mary Barton", Elizabeth Gaskell is trying to offer knowledge as a solution in reducing class tensions and in giving the rich and the poor a better understanding of each other. The paper uses female characters and their roles in the public domain as a medium for demonstrating this.
From the Paper "City life in the 19th century ushered in a difficult and conflicted era for women. Torn between the necessity of remaining in the domestic sphere for the sake of the maintenance of a comfortable family life for all, and the new, frequently arising necessity of entering the public sphere, women of lower classes became obligated to undertake the double burden of balancing traditional roles and roles in the workplace and other public venues. Staying home and entering the public domain both offered many consequences, and left women's practical options unclear, and also created an ever-greater rift between their ways of life, and those of wealthier women, who typically remained entirely in the domestic sphere. Elizabeth Gaskell's 1848 novel, Mary Barton, displays the intricacies of a variety of female lives, rich and poor, public and private, under extremely trying and class-dividing circumstances, those of the Industrial Revolution. Gaskell tends to represent women as actively engaging in public urban life out of necessity rather than out of any personal desire to do so, and she uses the idea of balance as an important issue which also relates to class tensions. Mary Barton's message to women is that they must cautiously advance into the public domain, but not neglect the ill effects and the dangers of such a move, and rather be aware of the positive and negative aspects of life in the private and public spheres. This awareness of both sides of an issue is additionally reflected in Gaskell's compromise-centered views on class tensions and reconciliation, which is to do what one must for one's own station in life, but to remain aware of the effects on others of different classes, and to find a balanced "happy medium" in one's actions."
Abstract Explores the characteristcs of Desdemona, Bianca and Emilia and their status, roles and power within the largely male dominated society. The paper suggests that the male dominated society leads to, ultimately, all three women falling victims.
From the Paper "Othello by William Shakespeare is a play set in Venice at the height of it's powers. There are three significant female characters in the play, Desdemona, Bianca, and Emilia, who are representative of the female gender. Their characters within the play are presented as being victims of their gender, and victims of the male dominated society of the time. They are seen as victims in their treatment, their status and roles and their power within society, and in the ultimate death of two of the three female characters in the play."
Abstract The paper examines John Milton's Poem "Paradise Lost", showing the poem to be a struggle between good and evil; this being the case, it would seem only logical that God would be the protagonist of the poem, and Satan the antagonist. The paper observes that God in the poem makes for a rather lackluster hero: Milton's God is hardly the caring, loving and omnipotent deity of Christianity. It shows that the result of Milton's portrayal of Satan and God is an account of the fall that is anything but a straightforward allegory of good and evil. Neither Satan nor God is completely good or completely evil; in both, the two qualities are joined in the same person.
From the Paper "Satan, in contrast, is a fully developed character with vivid emotions; he exhibits both fear and remorse, and is therefore often capable of winning the reader's sympathy. Milton goes so far as to use devices common to other works of epic poetry, such as Beowulf or The Odyssey, to depict Satan as an epic hero, as a man of stature, nobility, and great deeds. It often seems as though Milton is subtly encouraging the reader to empathize with Satan's struggle against Heaven. Given that Milton himself declares, in the poem's opening lines, that his intention is to "justify the ways of God to man" (I, 26), it is rather difficult to determine why he seemingly reverses the roles of protagonist and antagonist."
Abstract This paper examines how Edgar Allan Poe's "The Raven", "Annabel Lee", and "The Fall of the House of Usher? all depict the tragic loss of young and beautiful women. Poe describes Lenore, Annabel Lee and Madeline as young and achingly beautiful and all three women die premature and tragic deaths. In "The Raven" and "Annabel Lee", Poe mourns their tragic loss, while in "The Fall of the House of Usher?, Poe is clearly simply horrified at the gruesome and tragic death and he is not so deeply wrought with grief over the loss of someone he loves. It considers how Poe's depictions of women in his literary work reflect his personal experiences with the premature deaths of his young and attractive wife and mother. Poe's depictions remain relevant to readers of all ages and nationalities, as they speak to the universal misery of tragic loss and mourning.
From the Paper "Poe's poem "Annabel Lee" recounts the perfect love of the narrator and his child bride Annabel Lee. As in the Raven, Poe delves into the tragic loss of a beautiful woman within the lines of "Annabel Lee". Annabel Lee's similarity in age to Poe's young real-life bride is striking, and the poem can be seen as a reflection of Poe's grief over the loss of his young wife. As in "The Raven", Poe focuses on the beauty of the young woman who dies tragically. The stars and the moon even remind the narrator of the young woman's beauty after her tragic death. "Annabel Lee" focuses primarily on the depth of the feelings of between the two young lovers, while "The Raven" focuses more clearly on the grief at the loss of the young woman. In "Annabel Lee", the narrator tells a tale of a kingdom by the sea, where both he and Annabel Lee lived, and that they "loved with a love that was more than love"."
Tags: death, youth, beauty, wife, mother, saint, angel, love
Abstract This paper compares and contrasts the styles and themes fround in Martin Luther King Jr.'s "Letter from Birmingham Jail" and Nelson Mandela's ?I am Prepared to Die.? Some of the topics discussed include prejudice, white supremacist attitudes, the use of non-violence to achieve your goals and that freedom will not be given unless it is demanded by those who are oppressed. The paper points out that although the messages are similar, they were written for different reasons. King's was written to explain his mission and his message, to the white clergy to chastise them for their neglect and condemnation of his actions, while Mandela's was written to defend the charges brought against him before a court of law and to explain his actions. According to the paper, these two men have become symbolic with the fight for freedom and equal rights.
From the Paper "Although, the message is the same in each work, they are written to different audiences and from different reference of perspective. King's letter is written to his fellow clergymen, directing his remarks to the white clerical population, Christian and Jewish communities. It was written to explain his mission and his message, as well as a chastisement for not only their neglect, but for their condemnation of King's actions. Mandela's work was addressed to the court as a legal defense case. It was written to defend the charges brought against him before a court of law and to explain his actions. King's work is cited with biblical references, such as, ?just as the Apostle Paul left his village of Tarsus and carried the gospel of Jesus Christ to the far corners of the Greco-Roman world, so am I compelled to carry the gospel of freedom beyond my own home town."
Abstract This paper describes the life of the Underground Man in Dostoevsky's work, "Notes from the Underground". It analyzes his ways of thought from a naturalist perspective. The paper shows how the Underground Man is a romantic dreamer, living in a fantasy world and unable to make his own decisions.
From the Paper "Dostoevsky's Notes from the Underground is a critical commentary and rebellion from the traditional romantic view that had been so popular in previous eras. Dostoevsky belongs to the naturalist and realist school of thought, which emphasize the idea that life is hard and complex, and we must deal with it. This contrasts with the romantic thoughts regarding life as simple, beautiful and correlated to nature. In his work Dostoevsky uses each of these conflicting views to build the mindset of the protagonist known as the Underground Man (UM). The UM is a very intricate individual. While he is very shy and reserved, he deeply craves attention. He desperately wants to succeed, but is constantly setting himself up for failure. He feels superior to others by recognizing he own inferiority. It seems that the UM's life is full of contradictions and it is this life that are meant to represent human nature."
Discusses novella's themes (loneliness, acceptance of death), plot, characterizations, style, irony, symbolism, messages and relationship to author's life.
1,800 words (approx. 7.2 pages), 3 sources, 1989, $ 63.95
From the Paper "This paper will discuss the novella The Death of Ivan Ilych by Leo Tolstoy. One of the basic themes of this story is that of "loneliness in the face of death" (Cain 4). It can be seen that the mediocrity of Ivan Ilych's life has done little to prepare him for the unexpected shock of dying. At the very end of the novella, Ivan Ilych undergoes a transformation during which he comes to an acceptance of death and realizes that his entire life has been one of avoiding other people. Thus, the intense loneliness suffered by Ivan Ilych is due to his attitude toward life, in which he always placed the highest value on work, career and material possessions while rejecting the real life needs of his family and others. Tolstoy makes it clear that this fault in Ivan Ilych's life exists in virtually everyone's life, with the only exception being seen in the character of the servant (...)"
From the Paper "The Religious Background of the Baroque and the Artistic Communication with England
The period which has come to be called the baroque is intriguing because it grew out of a unique set of political, religious and cultural circumstances. Blunt ties the style to origins in Rome for good reason, as the situation surrounding the Catholic church at about 1600 had a lot to do with the origins of the style. The Protestant Reformation of the 16th century had led to deep introspection on the part of the Catholics. The leaders in the church realized that some positive action was necessary in order to avoid further political embarrassment, continued corruption and massive attrition from the church. The Protestants had attacked the church mainly with charges of selling offices of authority, men holding numerous offices simultaneously, and the..."
This paper analyzes the poetic wit of Alexander Pope, 19th Century British writer, in two of his poems "Essay on Criticism" and "The Rape of the Lock".
1,575 words (approx. 6.3 pages), 3 sources, 1991, $ 55.95
From the Paper "This essay is concerned with Alexander Pope (1688-1744), and poetic wit. For the purpose of this analysis, two of Pope's poems will be examined: "Essay on Criticism" and "The Rape of the Lock".
The eighteenth century was known as the Age of Enlightenment or the Age of Johnson in English literature. Neoclassicism was one of the most prominent movements during that time. Classical literature was very much admired, and the imitation of nature and the classics was a much sought after ideal. In fact, it was thought by eighteenth-century thinkers that the classics imitated nature. Very much admired were the artistic ideals of order, concentration, economy, utility, logic, wit, retrained emotion, 'correctness,' 'good taste,' and decorum. The favorite form of verse consisted of rhymed couplets. Poetry was inclined to be ... "
From the Paper "Thomas Bell, in Out of This Furnace, published in 1941, presents a fictional portrait of the life of three generations of Slovak immigrants in the United States of the early 1900s, emphasizing the struggles of these people as they carved out their existence in the steel mills of America.
The life of these struggling immigrants is so difficult that they inevitably find sense and comfort in their existence primarily in their families, in their communities. They have left the old country behind in order to pursue the American Dream, but they quickly discover that the dream is more of a nightmare.
Bell writes that George Kracha "came to America in the fall of 1881 . . . It may be that he hoped he was . . . leaving behind the endless poverty and oppression which were the birthrights of a Slovak peasant . . . He was bound for the hard-coal country of..."
The subject of this review is Robert Keohane's book, After Hegemony. The review will discuss some of the points made by Keohane in his book and the strengths and weaknesses of the book. It will also take into account some of the criticisms of the book by other reviewers and place the ideas proposed in the book in the context of events which have occurred since its publication.
Published in 1984, After Hegemony attempts to explain the influence of the United States in world affairs after 1945, particularly focusing upon the reasons for the decline in American influence since the 1970s and the state of international cooperation in the post-hegemonic era. In doing so, Robert Keohane connects international political influence with economic ..."
From the Paper "In her novel Song of Solomon, Toni Morrison uses the history of one black family as a way of commenting on the history of blacks since the Civil War, and the main character of Milkman goes on a quest for his past, discovering how the women of his family have been ill-served by the world, by the men in their lives, and by himself because he has not known of their sacrifice or their reality. Yet this does not necessarily mean that he will be able to achieve a stronger sense of either their lives or his own. Even though his quest appears to be successful, the ambiguous ending of the novel leaves the reader uncertain about his fate, a device whereby Morrison creates some doubt and leaves the reader more interested in seeing to it that such a quest is successful and that a new attitude is created than would be the case if the story were clearly resolved."
From the Paper "This study will examine the 1946 novel Mine Boy, by Peter Abrahams, first giving some information on the author and the background of the book and its historical context, and then exploring the elements of the novel itself, including plot, characterization, style, intended audience, and the contribution the book makes to an understanding of African life and history.
As we read in Charles Larson's Introduction to the novel,
the book was published "two years before the Nationalists gained control of South African politics" and "just before apartheid became entrenched into the South African legal system and racialism became a sanctified governmental policy (Abrahams 5)."
The book was published in South Africa, as Shava writes, precisely because its publication preceded what was to shortly be the beginning of official and legal crackdowns against such..."
From the Paper "In his book Zen and the Art of Motorcycle Maintenance, Robert M. Pirsig offers an assessment of the idea of quality and applies this to life, using as his platform the maintenance of a motorcycle. He uses the quality of a mechanical object and the relationship of that object to himself as a thinking human being as a way of finding a unity with the idea of quality in every life experience. The motorcycle is more than just his tool for accomplishing this. It is a physical object that is also a mental construct. It is an object of art and an object of technology at one and the same time, and it is through Pirsig's direct work on the motorcycle that he is able to see the unity in what are sometimes set forth as opposites--technology and art, classical and romantic, the internal and the external.
The book has as its overt subject one man's quest for truth..."
