Abstract This paper begins with the history of the position and moves forward to the appointment of John Negroponte as the first Director of National Intelligence. The essay discusses the many roles associated with the Director of Central Intelligence. The essay quotes past and present politicians on their opinions of the position; to include the Chairman and Vice Chairman of the 9/11 Commission.
From the Paper "In 1947, then President, Harry Truman signed into law The National Security Act of 1947. The National Security Act gave three primary responsibilities to the Director of Central Intelligence. First, the DCI was responsible for providing national intelligence to the President, members of the President's cabinet (where applicable), and to members of Congress (again where applicable). Second, the DCI would serve as the head of the intelligence community (IC). The DCI was responsible for establishing the priorities for collection and analysis of raw intelligence. The DCI formulated and presented the IC budget to the President and to Congress. The DCI also had very limited ability to transfer funds and personnel throughout the National Foreign Intelligence Program (NFIP). Third, the DCI was to serve as the head of the Central Intelligence Agency. Here the DCI supervised the entire bureaucracy of the CIA. The DCI was in charge of human sources, overseeing the analyzing of raw intelligence, and undertaking covert operations when directed to by the President."
Abstract In schools in which athletics are emphasized, the role of the athletic director will increase with the introduction of education vouchers. However, at schools with no emphasis on athletics, the role of the athletic director will decline. The role of the athletic director will be determined by the emphasis of the individual school.
Abstract This essay gives a general overview of the life and many works of the director, Alain Resnais, and describes his philosophy of film with an emphasis on the film "Muriel". Resnais lived in France during the New Wave Movement. This paper describes the basis for the movement and details several directors and works of the time. It details the complex strata of loss and absence in the film as well as the nature of tragedy and ways to deal with it.
From the Paper "There are different ways to pay tribute to that which is not there. There is the technique of explicit mourning, in which the one who is bereft describes in every possible detail the person or thing that has been lost. And then there is the technique pursued by Alain Resnais in his film Muriel in which what is looked for, longed for, the thing that will make life and experience complete, is in fact never seen at all, never made real to us ? except only by its absence."
Tags: Muriel, new, wave, Alan, Resnais, actors, absence, France, director
This paper shows the influence of director Pedro Almodovar on the Spanish film industry and how his films helped pave the way for other Spanish directors to find an audience outside of Spain and to reestablish the viability of the Spanish film industry.
3,100 words (approx. 12.4 pages), 8 sources, 2002, $ 90.95
Abstract The paper introduces the topic with a look at Robert Phillip Kolker's "The Altering Eye", which considers some of the economic and social forces that apply in different countries to shape their film. It then examines the life and work of director Pedro Almodovar as an example of these theories at work in Spain. It suggests that Almodovar's success was dependent on the social and political changes in Spain, namely the end of the fascist era and a move toward democracy.
From the Paper "Film is an international medium in spite of language differences, and different countries come to the fore at different times to make a mark both artistic and economic on the world cinema. After world War II, Italian neo-realism burst onto the scene, followed in the early 1960s by the French New Wave. In the 1970s it was a combination of films from Australia and films from West Germany, the latter led by Rainer Werner Fassbinder. More recently, Spain has become a contributor to the screens of the world, with the leading filmmaker of the time being Pedro Almodovar, in some ways an unlikely leader given his penchant for bizarre sexual themes, iconoclastic attitudes, and searing satiric humor."
Abstract The paper begins with a brief overview of the careers of a unit director and a nurse practitioner by explaining their activities and responsibilities. It then lists the formal educational requirements to become a unit director or a nurse practitioner and explains the ways in which they are trained. The paper then describes the salaries and benefits earned by the two professions and the number of hours that they are expected to work. The paper concludes by explaining the job satisfaction experienced by the two types of nurses.
From the Paper "Certified nurse practitioners overall receive what most people would consider to be a good salary and as well as better-than-average benefits. We can see this documented in a recent posting by the state of Oregon for nurse practitioners. These nurse practitioners, who were wanted to work in a wide variety of settings, could receive a salary of up to $5,129 per month depending on their own training and experience."
Abstract Today's boards of directors are driven by far-reaching regulatory reforms and increased corporate expectations, as a result of the Sarbanes-Oxley legislation. Consequently, many feel an ever-growing need for orientation, education and evaluation. This paper shows that corporate directors are currently trying to gain the hands-on knowledge required to become more valuable professionals in the boardroom, with the help of general counsels, financial executives, HR representatives or corporate secretaries. The paper shows that ethics is a very important part of their change, since enforcing business morality is the main objective behind the Sarbanes-Oxley act.
From the Paper "It would have been difficult for the SEC to implement and supervise the application of the new legislation all by itself. Usually, when a law doesn't make sense and is inappropriate for the current economic or social environment, it is simply rejected by the people who should apply it. The proof that the Sarbanes Oxley act is an example of a good piece of legislation is the fact that, since the act has passed through congress, other organizations have decided to join this movement in order to increase the accountability for board members and make sure that their skills and experiences match the tasks for which they are held responsible."
Abstract This paper looks at two specific films and their subsequent comments upon society. Firstly, it describes "Lucia" by Solas, to analyze the director's comments upon social constructs and identity. Secondly, it examines Dash's "Daughters of the Dust" in comparison to "Lucia" to address similarities in issues between these two directors. "
From the Paper "Humberto Solas' Lucia is multiple narrative film, detailing the lives of three separate women during revolutions, who all are named Lucia. Solas' commentary regarding social class is clearly evident through his selection of the women in each vignette, as one has an upper-class standing, another middle-class, and finally a working class representative. Clips from each of the three Lucia's highlight various aspects of this director's style, commenting upon the constructs of culture, identity, and belief systems formed by social concepts. In the end of the first scene, there is an unmistakable indication of how society's social construction leads to individual identity. In its close, Lucia stabs Rafael to death, and as her personal self has been conquered by these events, is lost to her madness. Taylor eloquently writes "Lucia's madness at the end symbolizes further the powerful and ..."
Abstract This paper explores the background and career of the American writer and director, George S. Kaufman. The author examines how Kaufman has influenced American playwrights.
From the Paper "Though critics may argue as to the ultimate value of George S. Kaufman's plays in the history of American drama, they almost unanimously agree that he was our most successful collaborator working in theater at his time. Superlatives of various kinds have been used with Kaufman. He is generally recognized as having been the most successful master of stage technique in the 1930's. He is acknowledged as having been an outstanding satirist, one of our best directors, one of our best writers of dialogue, and as our most capable "play-doctor." With all these credentials under his name it is easy to understand why he was such a great role-model for other American playwrights."
Abstract This paper studies the life of Sean Penn, actor and later director. It first briefly describes his father's acting career and how it was cut short because of his "communist" activities in the 1960's and how he was black-listed. It continues to compare Sean Penn to his father, focusing on Penn's bad-boy image which is highlighted by his marriage to pop-star Madonna and a one-month jail stint for assault. It mentions many of the movies that Penn starred in or directed and shows how through all of these he continued to make political and controversial statements.
From the Paper "It could be said that celebrity activism is a family affair for Sean Penn, celebrated Hollywood actor and director. Before Sean was even born his father, Leo Penn, who was an actor on Broadway and in films in the late 40s, used his celebrity to make social statements. Leo was blacklisted for a decade in the 1950s for refusing to give names to the House Un-American Activities Committee (HUAC) of those in the Hollywood community with communist ties.
Supposedly one of Sean's earlier memories is of his father taking him to the set of The Last Tycoon near to the family home. There the director, Elia Kazan, someone who had named names at the hearings, tried to say hello. But Leo, normally warm and friendly, walked straight past, a point of integrity his son could not fail to notice. Unlike many of the blacklisted actors of the time, Leo's entertainment career survived his political stance and he went on to make a name for himself behind the camera, in television rather than feature films. During his career, he directed than 400 hours of prime-time television programming, including episodes of Bonanza, Ben Casey, Starsky & Hutch, Magnum P.I., Columbo, Kojak, and St. Elsewhere. "
Abstract This paper looks at the importance of a leadership skills for a director within a community child-care center. It discusses issues such as communication, motivation and differences between managers and leaders.
From the Paper "Child care centres are more than physical structures performing specific functions. They are also complex social systems with intricate networks of relationships. As in other human service organizations, success in a child care centre depends on the quality of personal interactions. If the centre is healthy, it is continually growing, adapting to change and effectively utilizing its most valuable resource, its people. Such an environment sends to staff, children, parents and community a feeling of warmth and genuine concern. Although achieving this kind of positive atmosphere does not occur by accident. It is the product of carefully exercised management and leadership (Jorde-Bloom, 1982, 216). Traditionally, it is the Director of the centre who sets the emotional environment of the organization. As its most visible leader, the director must balance short-term needs with long-term goals and create an environment based on mutual respect in which people will grow and be nurtured."
Tags: childhood, early, leadership, management, theory
Abstract This paper explains that Alan Schneider, who was an award winning director, innovator, teacher and mentor, was a major influence in academic commercial, local, regional and amateur theater. The author points out Schneider joined the Arena Stage in Washington D. C. during its formative years in the late 1940s, directed such works as "The Glass Menagerie" in 1951, which propelled the playwright Tennessee Williams into international prominence; the two men became close life-long friends. The paper states that the greatest insight into how Alan Schneider's style of directing can be found in the University of California, San Diego, collection of his papers entitled "Series 3, Production Materials"; the paper lists briefly some of its contents, which give an indication into his directing style for plays fro 1941 to 1979.
Table of Contents
Introduction
Biographical and Background Information
The Balancing of a Career
Correspondence Series of Insights
Alan Schneider Style of Directing and Teaching
From Directing to Teaching - An Easy Transition
Conclusions
From the Paper "In 1963 Alan Schneider received the Antoinette Perry (Better known as the "Tony") Award for his excellence of direction of "Who's Afraid of Virginia Woolf?" Likewise he's won the Village Voice Off-Broadway (OBIE) Award for his direction of "The Dumbwaiter" and "The Collection." Plus in Washington D. C., the Board of Trade Award "for outstanding contribution to professional Community Theater in the nation's capital and production director of Arena Stage." However Alan Schneider, always a restless and busy person, was never one to rest much, or even dwell long on his laurels. His delight came in helping others attain their goals and aspirations particularly the youth of not only the United States but throughout Europe and England."
Abstract This paper explains that, although Steven Soderbergh has had prize-winning commercial film successes such as "Traffic", "Erin Brockovich", "Ocean's Eleven", "Ocean's Twelve", "Syriana" and "Sex, Lies and Videotape", he also is known for his art house films such as "The Limey". The author relates that, born in 1963, Soderbergh, who began filmmaking when he was only 13, was the youngest producer or director to win the Palme d'Or award at the Cannes Film Festival, which he was awarded in 1989 for "Sex, Lies and Videotape". The paper relates that Soderbergh's seminal filmmaking techniques include the use of non-linear narratives to show different perspectives, a docudrama filming style that creates an aura of reality and the use of pastoral scenery.
From the Paper "In the new millennium, Soderbergh has hit it big with success such as "Erin Brockovich", "Traffic" and "Syriana". "Erin Brockovich", a movie that portrays the real-life Erin Brockovich, only through a sexier Julia Roberts, tells of an assertive woman who, without a legal education, managed to sue and claim victory over Pacific Gas & Electric Corporation. The lawsuit was the largest civil penalty ever awarded at that time in 1996, and the film went on to be nominated for Best Picture."
Tags: brockovich, syriana, traffic, art-house, oscar
This paper examines director Alfred Hitchcock's practice of inserting homosexual imagery into his films, while focusing in particular on the film "North by Northwest."
2,725 words (approx. 10.9 pages), 0 sources, 2006, $ 81.95
Abstract This paper analyzes Alfred Hitchcock's film "North by Northwest," while detailing the areas in which the director inserted homosexual references, albeit on a sub-textual level. This paper discusses the critical analyses of Robin Wood, author of "The Murderous Gays: Hitchcock's Homophobia" and D.A. Miller author "Anal Rope," who both explore Hitchcock's use of gay images in many of his films. This well-written paper details the manner in which the main character of Roger Thornhill's homosexuality is portrayed as perverse. The writer of this paper clearly describes how Thornhill's character is at first gay, his perception of the perversity of homosexuality which force him to become somebody else, resulting in his being reborn as a heterosexual. This paper also touches on the attitude of the film industry in the 1940s and 1950s regarding the issue of homosexuality, which at the time was considered illegal.
From the Paper "The scene at Townsend's is a critical situation in Thornhill's character development. This is the first time that Thornhill is introduced to Van Damme, and at this point, Van Damme closes the drapes and turns on the lights. This presents two points that portray a homoerotic meaning. First, drapes in Hitchcock movies are usually portrayed as vaginal symbols. When Van Damme closes the drapes, he is denying Thornhill any kind of heterosexual sex. His turning on the light symbolizes the lighting of Thornhill's passion for Van Damme. The other point is that, with the drapes closed, they are free to do whatever they want without the intrusion of voyeuristic eyes. This is the beginning of the subtextual homoerotic relationship between Thornhill and Van Damme, which will play a major part in the overall context of homosexuality in the film."
Tags: film, analysis, gender, director, homosexuality, gay, industry
Abstract This paper analyzes the films of writer-director Paul Thomas Anderson. It explores common themes in his films, "Hard Eight," "Boogie Nights," "Magnolia" and "Punch-Drunk Love." It discusses Anderson's cinematic techniques bold camera work and superior scripts. The paper also includes biographical information on Anderson.
From the Paper "With only four feature films to his credit, Paul Thomas Anderson has established himself as one of Hollywood's most gifted contemporary authors. As writer and director and sometimes producer of his movies Anderson not only maintains artistic control he brings ..."
Tags: Films, Movies, Anderson, Magnolia, Sandler, Writer, Director, Valley, Cruise
Abstract This paper is written as a creative writing piece. It presents instructions for a director for shooting a movie that begins on an airplane. It describes the scenery, the types of shots that should be taken and how the characters should be positioned in the shots. The paper presents details for three scenes in this short movie.
Table of Contents:
Airplane Scene One
Scene Two: Having fun in Europe
Final scene
From the Paper "The next scene spins in showing dancers with the mountains visible out the windows but only lit by the lights of the slopes. We identify the couple as they dance by the camera and the next scene spins in showing a 45 degree angle shot of the couple at a table is a nice restaurant with a different view out the window. The lighting is romantically low and warm, but not dark. The story action can be continued here, as the camera moves to full frontal table shot and then dollies in until we have full frontal couple shot. The camera angles alternate between full frontal couple, and individual head and shoulder shots as they talk while drinking wine and sampling hors d'ouvres. They are seated almost as closely as the airline seats enforces. Outside the large windows it is dusk and we see a cityscape of Paris."
