This paper considers Poe's assertion that the ultimate subject for a work of art is the death of a beautiful woman.
Written in 2006; 2,460 words; 3 sources; MLA; $ 74.95
Paper Summary:
This paper analyzes the poem "The Raven" by Edgar Allen Poe. Specifically it considers Poe's assertion that the ultimate subject for a work of art is the death of a beautiful woman. Poe's assertion that death begets art is seen in light of many of the world's greatest works of fiction and poetry. The author concludes that the death of a beautiful woman as a powerful good literary device was used effectively in "The Raven."
From the Paper:
"While the poem is heart wrenching, there is also something dark and sinister lingering below the surface. The black bird seems evil and devilish somehow, and the narrator concurs when he shrieks, "'Prophet!' said I, 'thing of evil!--prophet still, if bird or devil!'" (Poe). Why does a "thing of evil" bring memories to the narrator? What is the background of the pair of lovers? It is easy to see the narrator is lonely, but why is he so tormented? There is something missing in the equation here, and whatever it is seems sinister and foreboding. Poe uses this dark underbelly of life in many of his works, leaving the reader with a sense of fear and horror that linger. Lenore is a device to add depth and emotion to the poem, but as she dwells with "the angels" the reader must wonder just what happened to her, and what the narrator had to do with it. There is more than simply longing and grief in the poem, there is something darker that dwells in the very souls of so many of us. Poe saw the world darkly, and that is evident in this poem and many of his other works. Lenore is a sexual and sensual device, but she is certainly not the only device. The dark, haunting quality of the poem is another device that helps create outstanding and dramatic art."
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