A discussion of the theme of spirituality in Michelangelo's ceiling painting at the Sistine Chapel.
Written in 2009; 1,424 words; 7 sources; MLA; $ 47.95
Paper Summary:
This paper looks at Michelangelo's painting on the ceiling of the Sistine Chapel in Rome through the eyes of three university students who are being introduced to it by the author. The writer provides the students with the historical and artistic background to the painting, as well as a brief overview of the painter's life and ideals. The writer also points out similarities between Michelangelo's painting and the fresco "Galatea," by Raphael, and "The Last Supper," by Leonardo da Vinci. The writer describes the reactions of the three students, which show that they are all overwhelmed by the spiritual aura of the painting.
From the Paper:
"Michelangelo Buonarroti (1475 to 1564) was one of the most talented and complex masters of the High Renaissance. Frequently irascible and short-tempered, Michelangelo was often impatient with the shortcomings of others as with his own and his jealousy of Raphael, his dislike of Leonardo and his almost never-ending problems with his artistic patrons, did not quench his ever-burning desire and devotion to great art. As a young man, Michelangelo was apprenticed to the painter Ghirlandaio and soon found himself under the protection of Lorenzo the Magnificent. When the Medici family fell in 1494, Michelangelo fled to Bologna, where he did some work for the church of San Petronio. In 1501, Michelangelo found himself in Rome and soon returned to Florence because of the possibility that "the city would permit him to work on a great block of marble called the Giant" that no other sculptor (Michelangelo considered himself as a sculptor and not as a painter!) had been able to use. It was this situation which tradition holds led to Michelangelo to exclaim "The statue (i.e., David) was already in the stone. All I did was remove the excess" (Grimm, 325)."
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