Analyzes the eighteenth century British aristocratic market consumption as related to culture, politics and architecture.
Written in 2009; 1,085 words; 10 sources; MLA; $ 37.95
Paper Summary:
This paper explains that the eighteenth century period of the English royal court and the British aristocracy represents an attempt to acquire the accouterments of classical antiquity, which led to their mass consumption of forms of art, literature, philosophy and even politics. The representation of political philosophy in British great houses, gardens and portraits, the author points out, was dictated by the political and social elites of eighteenth century England, which in turn were dominated by the aristocracy and gentry. The paper reviews the works of various artisans, such as the architect Robert Adams.
From the Paper:
"Reuse of earlier styles occurred during the second half of the eighteenth century. Robert Adam (1728-1792) is regarded as the initiator of the Classic Revival. The spirit of the times encouraged greater interest in the past with a new attitude toward history. Interest in the past, in its history and monuments, increased as time went on, and the excavations of Herculaneum and Pompeii (after 1748) gave it popular appeal. Adam's is considered by many to be the greatest architect of the late 18th century, and a leader of the neo-classical revival in England and Scotland."
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