Abstract This paper analyzes Thomas Mann's novella "Death in Venice" and discusses the plot line and the moral decline of the protagonist. It also looks at major characters, references to ancient Greece and the symbolism of the book.
From the Paper "In Thomas Mann's novella Death in Venice, the aging protagonist Gustav von Aschenbach is symbolic of the pursuit of aesthetic beauty and his ensuing moral decline is symbolic of the decadence and moral decline in turn of the century Europe in what is known a ..."
Abstract In this article, the writer maintains that Thomas Mann's "Death in Venice" is often regarded by critics as one of the most important short stories of the author's creation. The writer points out that this piece of writing attracted attention because of its precise literary construction, which presented two different realities while using parallel references and opposing qualities that in the end find a common point of attraction. The writer notes that the story is apparently without any intriguing outcome, yet at a more profound level it proves to be one of psychological analysis and moral determinism. The writer concludes that "Death in Venice" is indeed a short story of great complexity and Thomas Mann succeeds in drawing the attention to the intimate conflict which arises in the human soul, between the need for self restrain and control and the desire for passion and lust.
From the Paper "The plot is rather simple and focuses on the voyage of Aschenbach, one of Germany's most renowned writers, to the southern parts of Europe, in Venice where he develops a passion for a young Polish boy staying in the same hotel with his family and companion, Jashu. During his stay, cholera infects the city and Aschenbach has the possibility to leave the place. Instead he decides to stay and finds his death at the hands of the terrible disease. However, the actual sequence of events is less important for the development of the plot. What gives consistency and coherence is the main character's evolution from a rather detached and impersonal individual to a passionate degraded human soul. This evolution however is placed on an adequate background, as this element too is in contradiction and evolves from beginning till the end of the story."
Abstract This paper analyzes ?Death in Venice? by Thomas Mann's with an emphasis of how the book and characters parallel the writer's own life experience.
From the Paper "This second critic notes Mann's use of this method he called "myth plus psychology" which plots Aschenbach's descent into a chaotic heap where both myth and psychology play equally important roles. (SparkNotes) He describes the idolized Tadzio mythically in the same level and manner as Greek sculpture, the god of love, Hyacint and Narcissus and Plato's character Phaedrus. He also likens Aschenbach's cruise into a lagoon in Venice to that across the River Styx in the Underworld, where ?strange red-haired figures appear and reappear to Aschenbach to symbolize demons, probably also the furies of his moral conscience. As to the psychology part, Aschenbach always has a firm control and repression of his libido through the years of maturity. But this undue control and denial of something vibrant and powerful underneath merely leads such force to show up in other and indirect ways, per Freudian explanations. These indirect expressions include intense dreams and visions and the worship of a strange god. (SparkNotes) Moreover, this "orgiastic worship" of the strange god (SparkNotes) is likely an epitomizing of the Freudian desire to ultimately abandon oneself to such longing in and through death."
Abstract This paper examines Thomas Mann's "Death in Venice", which is about a fatal journey from north to south undertaken by German writer, Gustav von Aschenbach, who falls in love with a teenage boy, Tadzio. It discusses how it is often regarded as the first major gay novel, but to categorize this fascinating story in such a manner significantly limits its merits. It looks at how it explores the psychological influences of a magical city on a person who is running away from himself, of how forbidden love can transform the entire personality and soul, and how, despite being wise and sensible, we deliberately become victims of false enticement.
From the Paper "The character of Tadzio was also inspired by "an extremely attractive boy of about thirteen...whose appearance captivated my husband"- his wife recalled. (De Mendelssohn 871). Apart from the models, the entire ambience of Venice and plot of the story was also the result of inspiration. For example the plot was inspired by Mann's deep study of Goethe's life where he learned that at a very late stage in his life, Goethe had fallen in love with a young teenage girl. Some believe that Gustav Mahler served as inspiration for the character of Aschenbach, however nothing can be said with certainty in this regard because available sources have remained silent on this topic."
From the Paper "This study will compare and contrast two works by Thomas Mann ---"Death in Venice" and "Tonio Kruger "--- in terms of the author's treatment of the quest of the artist. Specifically, the study will focus on the different ways the two artists in the stories think of, feel about, and interact with the "outside" characters --- the unsophisticated, blonde, blue-eyed figures of infatuation. For both artists, these characters have great importance, both personally and artistically, as they attempt to formulate ideas about the relationship between art and life. The essence of the difference between the two tales is found in the ultimate isolation of Aschenbach from other human beings as a result of his quest for beauty, as opposed to the ultimate embracing of others on the part of Tonio as a result of his.
Tonio seeks knowledge of the world in order to come to an ... "
Abstract This paper examines how Oscar Wilde's "Picture of Dorian Gray" and Thomas Mann's "Death in Venice" are literary works situated in the cultural phenomenon known as decadence. This cultural phenomenon began in the late nineteenth century and involved the production of a range of interrelated aesthetic, social and sexual personae. It looks at how the most prevalent of these in the work of Wilde and Mann are the beautiful boy, the dandy and the degenerate, because they represent the "Other". It also discusses how both novels also deal with the dichotomy of the Apollonian and Dionysian artistic impulses in literature, which serve to define the calm exterior/decaying interior that codifies decadence.
From the Paper "Felski argues that Decadent literature offers "explicitly feminized male protagonists, who are identified with love of artifice, excess, and everything unnatural." This is certainly true in the case of Dorian Gray. She also mentions the "association of femininity with ornamentation and detail in Western culture." Both Dorian and Tadzio's clothing is described with much attention to the detail and adornments of the garments. Wilde's novel regards the protagonist's cultivation of sense experience, passion and sensation in the pursuit of beauty. Dorian studies exotic perfumes, collects musical instruments and precious stones, and once attended a masquerade ball wearing a costume covered with 560 pearls."
Abstract This is an argumentative paper about the characterization of Shylock in the "Merchant of Venice" and whether Shakespeare should be viewed as a racist for his portrayal of Shylock. The author argues that Shakespeare is not an anti-Semite and merely reflects popular prejudice in his characterization of Shylock.
From the Paper 'Shakespeare is not an anti-Semite. He does not portray Jews with intentional slander but instead utilizes contemporary bias and prejudice to create controversy and commentary delivering social medicine to the public through the very same conduit of their prejudice. Shylock, in the "Merchant of Venice," is a target and conduit for popular prejudice. By first laughing at the realization of social beliefs the audience is then stunned when Shylock forces the realization of his equality. Regarding "The Merchant of Venice," and Shylock, there are two schools of thought. While many call Shakespeare a racist, anti-Semite, bigot and worse, for his many portrayals of minority groups, the portrayal of Shylock has a unique aspect, which necessarily separates it from any other instance of racism within Shakespeare's work."
Discusses the character of Shylock from "Merchant of Venice" with reference to the anti-Semitic crusade that was taking place during the time Shakespeare wrote his play.
2,650 words (approx. 10.6 pages), 3 sources, 2002, $ 97.95
Abstract This eleven-page graduate paper discusses the character of Shylock in "Merchant of Venice" with reference to anti-Semitic crusade that was going on in England at the time Shakespeare wrote his play. The readers should study the character from all perspectives in order to gain a better understanding of Shakespeare's intentions.
Abstract This paper looks at Portia's true love for Bassanio in Shakespeare's play, "The Merchant of Venice" and contrasts it with Antonio's self-serving, obsessive love for the same man. Reflections on Shakespeare's insights on true love are offered.
From the Paper "The Merchant of Venice like all of his plays is full of meaning on many levels. One of the predominant themes in this play however is that of love. A number of people in the play either love each other or claim to.."
Abstract This paper compares and analyzes two poems about death that were written almost three centuries apart. The reviewer believes that the poems "Death be not Proud" by John Donne and "On Death, without Exaggeration" by Wislawa Szymborska demonstrate the beliefs of two different generations on the topic of death. The reviewer further describes the former as condemning death's pride, and the latter as mocking death's frailty. "Death Be Not Proud" speaks of death as a subtle reality of life, whereas the modern-day poem "On Death, without Exaggeration" criticizes the imperfection of death.
From the Paper "Donne goes on to say that death is similar to natural rest or sleep. "From rest and sleep, which but thy pictures be" (1453) implies that every time a man falls into sleep, he is performing an innocuous practice for the experience of death; however, death remains a part of life from which no one is exempt. Death, inevitable as it may be, is an assurance of Donne's believe that there is a supreme destination after death. It is a component of humanity and causes the poem to reflect a reverence toward and optimism about death."
Tags: John Donne Death Be Not Proud Wislawa Szymborska On Death, without Exaggeration
Abstract This paper examines death as addressed by two influential philosophers, Socrates and Epicurus. These philosophers take different approaches in viewing death and both have their own distinct reasons regarding it, however they reach the same conclusion, that death should not be feared. The paper discusses how Socrates addressees the uncertainty that follows death and how death may be even more pleasant than the life we once lived, while Epicurus addressees the non-existence of death, and illustrates how death does not affect us.
From the Paper "We shall begin our examination by looking at Socrates and the various arguments he makes. Socrates, a prolific philosopher in ancient Greece, was sentenced to execution and though given the chance to escape chose to stay and accept his punishment. According to Socrates, death is the will of the Gods and they alone know what lies after death. Mankind does not have the ability to acquire such knowledge, and therefore the afterlife is unknown to man. Socrates believes that individuals fear death because they fear the unknown, he therefore concludes that "fear of death is indeed the pretence of wisdom" (Plato, p. 3-4). Socrates gives two possible scenarios of what the afterlife may be like: "Either death is a state of nothingness and utter unconsciousness, or... there is a change and migration of the soul from this world to another" (Plato, p. 8). Socrates contends that there is no reason to fear an endless sleep, as it is a placid period which is pleasant to oneself."
Abstract This paper examines the international history of the death penalty and then takes a closer look at the use of the death penalty in the United States. The paper highlights the fact that in most countries, gender and age discrimination are not a factor with regards to the death penalty. The writer points out that there are juveniles on death row. The writer also looks at different religions and their opinion on the death penalty. The writer concludes that until the law changes, law enforcement and prosecutors should continue to advocate the death penalty in cases of murder and crimes involving children. The writer also believes that the death penalty is the only punishment that sends the message to criminals that murder and other acts of violence and crimes are absolutely unacceptable.
From the Paper "There are crimes considered by our society to be so atrocious and intolerable such as murder or rape of a child that if convicted, that the only punishment suitable for committing these crimes is the Death Penalty. The Death Penalty, also called Capital Punishment, is the execution of a convicted criminal by the state as reprisal for crimes known as capital crimes or offenses. This type of punishment is set aside for crimes like premeditated murder, espionage and treason. From the primitive people to the modern world as it is today, the death penalty remains the largest and most controversial part of the criminal justice system. Supporters of capital punishment argue that it deters crimes, while opponents of capital punishment argue that it violates human rights. As we explore this much debated topic, we will discover the past, present and future of death penalty."
Abstract In this paper, the writer makes use of the views of a doctor and of Socrates to demonstrate different views on death and dying. The writer examines the concept of a "good death" and death with dignity. The writer discusses how death with dignity currently refers more to medical science easing the pain of death, than to the Socratic idea.
From the Paper "A great deal has been written in recent years about the concept of a good death or death with dignity. Sherwin B. Nuland stated that an entire mythology has grown up around the process of dying. Like most mythologies, it is based on the inborn psychological need that all humankind shares. The mythologies of death are meant to combat fear on the one hand and its opposite wishes on the other. It will be argued in this report that death with dignity is now understood ... "
Abstract This paper examines the moral as well as legal issues regarding the sentencing of a minor to death for crimes. It argues how the sentencing of minor to the death penalty is wrong because it undermines the rehabilitation system that is currently in place throughout the United States. It stipulates how all citizens of the world, especially children deserve a chance to turn their lives around rather than have them cut short by a no turning back death sentence and how there are many reason why capital punishment for minors should be re-examined, from the costs of execution to the simple fact that a person does not develop fully until later in his or her teenage years. It looks at some of the underlying factors that cause juvenile crime and the debate of the effectiveness of the death penalty as a deterrent versus the cost of capital punishment. It evaluates other ways to deal with young offenders such as the different probation programs available.
From the Paper "It is hard to comprehend the effects of the death penalty on a country, especially on as large as the United States but the reality of the situation is alarming. The facts are that as of 1996 over fifty percent of the prisoners on death row have the educational equivalency of an eleventh grader. This means that fifty percent of inmates on death row have had little or no chance to progress in their home, community, city, state, and country. These death row inmates have no chance to change, learn, or make anything of their lives. They have been sent away to rot in a cell while they awaits their execution and while their minds lay dormant. There have been several cases where minors have been sentenced to death. The Supreme Court has wrestled with this dilemma for a while and found that there are no clear objections from any region of the United States to executing a person as young as sixteen."
