Abstract This paper discusses how the book "Introducing Kafka" by David Zane Mairowitz and Robert Crumb is an excellent introduction into the life and times of Franz Kafka. It looks at how the book represents a mix of illustration and biography by two very talented individuals and how it offers new insights for those well-read on the topic and author. It shows how Mairowitz and Crumb drafted a very good look into the eccentric world and life of Franz Kafka by touching all of the great works, "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."
From the Paper "Franz Kafka was born in Prague on July 3, 1883, and lived until June 3, 1924. Most consider him to be a German Language novelist and he is also considered to be one of the most and possible the top authors in terms of influential appeal in the 20th-century. His middle-class Jewish Bohemian decent has been credited as the source for his vast insights into the inner workings of the mind and his life in Prague has been credited with his understanding of the social classes. "Of course this is one reason, one very powerful reason, for this obsession with power, his feelings about his father, which he summed up in the famous letter to his father which is to my mind, one of the most compelling pieces of personal literature that anybody's ever read in our time, or anybody's ever written in our time."
Abstract Through an analysis of the music of eight Western classical composers, this paper attempts to understand how their various environments influenced their musical output. The eight composers that this paper studies are: Johann Sebastian Bach, Joseph Haydn, Richard Wagner, Peter Iljitch Tchaikovsky, Claude Debussy, Igor Stravinsky, Bela Bartok and George Crumb. The paper chooses to focus on specific compositions to demonstrate how each artist was affected by the events of his life -- from personal situations such as a family crisis, marriage or the loss of a loved one to broader social/cultural developments in his country or the world.
Outline:
Introduction
Johann Sebastian Bach
Joseph Haydn
Richard Wagner
Peter Iljitch Tchaikovsky
Claude Debussy
Igor Stravinsky
Bela Bartok
George Crumb Conclusion
From the Paper "In Bach's Christ lag in Todesbanden (Church Cantata No. 4), written for Easter Sunday, the hymn melody and its verses are used exclusively throughout the piece. The opening measure, in the style of Buxtehude, Bach's mentor, is followed by seven verses, each having its own musical signature. In this opening measure, one can hear that the music is touched by the sorrows of death, but in the third verse, there is an outpouring of joy. This cantata was written in 1724 during a period in Bach's life that was full of musical expression. However, in 1720, his first wife, Maria Barbara died, and in 1721, Bach married Anna Magdalena Wuelken who bore him thirteen children. Thus, through the music of Cantata No. 4, Bach's sadness over the death of his first wife can be sensed; however, due to his strict religious upbringing, his joy can be sensed in the third verse which reflects his knowledge that his late wife is now with God in Heaven."
