Abstract This paper details a brief history of boron composites from its earliest applications to recent developments. It studies the application of boron in composite epoxies and fibers and the use of these materials in airframe manufacturing. It includes figures showing usage of Boron composite. It concludes that boron has been very successful in aircraft manufacturing if the costs can be brought down.
From the Paper "Compounds of boron, most notably from unfinished borax ore, known as Tincal, were exported from Tibet in olden times. Historically, boron has been used for refining gold and silver in Arabia, ceramic glazes in China, and embalming in Egypt.
"Boric acid, a mild antiseptic, was isolated in the laboratory by chemistry professor William Homberg in 1720. Sir Humphrey Davy, a British chemist, and two French chemists, Joseph Gay-Lussac and Baron Louis Th?nard, discovered the element, boron, in 1808 concurrently. However, it took another 155 years before science turned its focus from borax to boron, and began to reveal the secrets of this mysterious and valuable element."
Abstract In this paper the author looks at the painting, ?Composition with Red Yellow and Blue? c. 1922 by Piet Mondrian and attempts to bring a sense of purpose to the painting and instill the reader with a sense of appreciation for the message that Mondrian imparts through his art. He concludes by examining the September 11th attacks in relation to Mondrain's art and contends that Mondrain would have regarded it as surreal.
From the paper:
"Mondrian believed that artistic expression should be found in the abstraction of form and color and that his use of vertical and horizontal lines would express the perfect harmony between these two extremes".
Tags: artists, painters, Piet, Mondrian, Composition, Red, Yellow, Blue, Amsterdam, Theosophical, Neoplatonic, Panthelistic, Paris, De, Stijl, Le, Neo, Plasticisme
Abstract This paper examines the history of composite materials in the aircraft industry, their uses, the benefits and downsides of their us, and their future applications.
Abstract The paper offers a hypothesis on the percentage composition by mass of magnesium oxide and outlines the materials and procedure used in the experiment to test the hypothesis as well as the observations found. The paper then lists the calculations that determined the percent composition by mass of magnesium oxide is 35% oxygen and 65% magnesium. The paper includes a discussion on the results obtained.
From the Paper "The percentage composition is essentially how much of one element is contained within a single compound. The law of definite proportions states that a specific compound will always have the same elements within it by definite proportions of mass [ref 1]. If this law is determined to be true, then that would mean that the percentage composition of any given substance should be the same throughout multiple samples. The magnesium strip of metal is polished with steel wool to remove any contaminants that are on the strip. The contaminants on the strip of metal could come from the natural state of the air, the container they were in, or anything that has come in contact with the magnesium. When magnesium is combusted (burned) it produces a white-powdery substance that is also known as magnesium oxide."
Abstract This is a paper about Sergei Rachmaninoff and his composition style. The author uses examples from two preludes and analyzes his works. The paper also provides a brief biography of the composer and discusses his influences, both Russian and American.
From the Paper "Sergei Rachmaninoff's music has been described as stemming the most intimate impulses of his soul, purified and faceted in the furnace of his creative power. His highly personal sense of style can be seen in his works, sometimes making them difficult to classify into one category of literature. Some writers classify his music with the great Romantic composers, such as Chopin and Schumann, while other writers, with the New Russian School of composers, such as Musorgsky, Rimsky-Korsakov, and Borodin. Still other writers compared his music to the nationalist Russian music traditions of Tchaikovsky. Despite all these disagreements, most scholars do make a connection between Rachmaninoff and his Russian background, even if it is a very minor connection."
A critical analysis of Beethoven's and Tchaikovsky's compositions. A critical analysis is taken of Beethoven's and Tchaikovsky's compositions, and how the people during the Romantic period viewed them.
1,320 words (approx. 5.3 pages), 12 sources, 1999, $ 44.95
Abstract A critical analysis is taken of Beethoven's and Tchaikovsky's compositions, and how the people during the Romantic period viewed them. The author aims at a greater understanding of music, how it affects us, and why some musical pieces can stand the test of time.
From the Paper "Today we have MTV, music videos, and many other ways in which music is interpreted for us. Once upon a time, however, during the Romantic period, people would listen to musical pieces such as Beethoven's Fifth Symphony or view and hear Tchaikovsky's Nutcracker and come up with their own interpretations for music. These musical compositions could stand-alone and each person could awaken to their own dreams and realizations of the music when they heard it. An in depth look is to be taken of the above compositions, their composers, and how the people during the Romantic period viewed them. By doing this it is hoped that a greater understanding of music, how it affects us, and why some musical pieces can stand the test of time."
Abstract Kuroda Seiki (1866-1924) from Japan and Claude Monet (1840 -1926) from France are examples of artists who shared an urge for creative discovery. Both artists painted what are considered to be impressive and revolutionary paintings. In their paintings, they instilled new ways of representing reality through composition. This essay will examine Kuroda Seiki's "Withered Field (Grez)" and Claude Monet's "Waterloo Bridge, Grey Day" in order to show the similarity of their respective methods, a similarity that was radical in its time because it broke with the accepted methods of composition and attempted to reinvent the nature of artist experience and representation.
Abstract This essay examines how the composition of a group, whether for therapeutic or business reasons, affects the outcomes and group goals that can eventuate. The essay contends that group composition needs to be both homogeneous and heterogeneous enough to allow for group processes to occur, i.e. group stages, for the group dynamic to progress and group goals to be achieved.
From the Paper "While it is true that a group is made up of individuals, and without those individuals there would be no group, it is quite impossible to judge the "sort of group" that will eventuate from merely examining the "sorts of people" that constitute it. Doing so would be like "explain[ing] the shifting pattern of a kaleidoscope by taking the tube to pieces and listing the fragments found inside" (Thompson and Kahn, 1970: 12). Systems theorists have long posited, in opposition to individual psychological explanations of group behaviour, that when individuals "merge into a group" something new is created? (Lewin, 1951: 57). This new entity, although comprised of individuals, is believed to be "greater than the sum of its parts" and thus the dynamic that is created within the group is not directly attributed to any one individual but rather the unique interrelationship between those individuals and the force that this interrelationship has on group functioning."
Abstract This paper presents a proposal of a first year English composition curriculum. The paper discusses what is necessary for students to master in their first year English courses. The paper explains the importance of a good basis in first year English composition, highlighting the tools that will help the student write successful academic papers over the course of their university studies.
From the Paper "The first semester of English Composition should prepare the student to be successful academic writers for the rest of their university courses. Along the way, the student will learn the specific writing norms of his or her chosen discipline. After graduation, the student will learn even more subtleties in graduate school. Once in the workplace, organizations have their own norms as well. The objectives, goals, and purpose of a first-year English composition course must prepare the student to understand the structure of an academic essay and apply the grammar rules, distinguish the logical fallacies in an argument, and to be able to read a book critically."
Abstract The paper compares and contrasts the renowned French composer Claude Debussy's compositions for flute entitled "Syrinx" with the modern Japanese composer Ryo Noda's compositions for saxophone entitled "Improvisation I", " Improvisation II" and "Improvisation III". The paper examines the similarities and differences between these composers and their respective works in terms of style, technique and instrumentation. The paper shows how the works of both composer reflect their mutual regard for traditional influences but higher regard for innovative creativity. A large amount of source material is appended to the paper.
From the Paper "In discussing Claude Debussy's work, it is important to note the shift in music compositional style that he instigated in the late Nineteenth Century and early Twentieth with Impressionism. Syrinx, which was written in 1913 for an uncompleted Gabriel Mouray play entitled Psyche, embodies such traits and demonstrates why Debussy was considered "a great harmonic innovator of the Twentieth Century." His new compositional style featured "fresh, new tonal perspectives without abandoning tonality itself." (Moss)"
Abstract The paper attempts to illustrate how Monet was deeply affected by Japanese art on a spiritual and emotional level. The paper discusses how Monet's obsession with Japanese art was apparent in his home, his words and his collection of prints. Monet's use of color, water, light and composition are described by the paper as well as how they were all influenced by the Japanese style.
Outline:
Japanese Art as an Influence
Japanese Art: The Collection
Impact on a Master Painter: Color
Impact on a Master Painter: Water
Impact on a Master: Light
Impact on a Master: Composition Conclusion: An Artist Speaks
From the Paper "Monet's connection to Japanese art has been variably reported as beginning early in the 1860s up to an initial purchase in 1871 . Perhaps the most charming story about Monet's introduction to Japanese art is a legend stating that Monet, when attempting to escape the Prussian siege of Paris, walked into a food shop in Amsterdam. The paper being used as wrapping paper were pages from a Japanese book of prints. The story goes on the say that Monet was so enamored with the prints that he purchased a print without delay and that this simple purchase changed the course of his life and the course of the styles, colors, and techniques used in Western art from that day forward."
Abstract The paper outlines Wolfgang Mozart's background and the onset of his illustrious composition career. The paper then details several of Mozart's most famous compositions and masterpieces. The paper posits that Mozart's impact on music was so forceful and significant that he set a precedence that could not be rivaled by any other music greats.
From the Paper "Music is the soul of language, according to one Max Heindel and throughout history; music has been the definition of communication, human upward mobility and culture, just like many other forms of art. Each generation, every period, and every era is marked by a certain domineering musical genre. Musicians come, shine and go. Some fade out of our memories while others make a lasting impression that outlives them for generations. Few musicians have been able to leave a lasting legacy but one name that is more recognizable to all and sundry is that of Wolfgang Amadeus Mozart. His impact on music was so forceful and significant that he set a precedence that many have not come close to matching."
Abstract This paper critically analyzes Georges Seurat's the Circus by describing his use of technique, style and composition and by comparing his work to the work Jean Antoine Watteau. The writer describes the artist's use of emotion through symbolism and the artist's focus on positive aspects of life as bringing significant contributions to the world of art.
From the Paper "Famous pieces, such as Jean Antoine Watteau's The Italian Comedians, and Georges Seurat's Circus encompasses several similarities to one another. Through the use of symbolism and technique, they have each made projections of leisure and happiness toward the viewer. Both of these pieces are meant to spark an emotional response through very different methods of artwork."
Abstract This paper takes an in-depth look at the composition, uses and effects of St. John's Wort. The author explains the benefits of using St. John's Wort in clinical effectiveness such as treatment of depression, relaxant effects, antiviral and antibacterial actions, and treatment of burns and minor skin wounds.
From the Paper "St. John's wort, or Hypericum perforatum, is an aromatic perennial native to Europe, parts of Asia and Africa, and the Western United States. It produces yellow flowers which bloom especially bright on June 24, the traditional birthday of St. John the Baptist, hence the name "St. John's wort". St. John's wort is also known as "goat weed" or "klamath weed". The leaves and flowering tops of the plant yield about 0.1% hypericin, pseudohypericin, and related naphthodianthrones. Flavonoids such as amentoflavone, luteolin, kaempferol, and quercetin and the glycosides hyperoside and rutinoside have also been identified in Hypericum perforatum. "
Abstract In this paper the author takes an in-depth look at Ethanol. The author makes mention of the different ways that it can be produced, its various characteristics, chemical composition and uses. The paper concludes with various arguments as to why ethanol has so many benefits and is so useful and argues why it may well be the "fuel of the future".
From the paper:
?Ethanol (ethyl alcohol, grain alcohol) is a clear, colorless liquid with a characteristic, agreeable odor. In dilute aqueous solution, it has a somewhat sweet flavor, but in more concentrated solutions it has a burning taste. Ethanol, CH3CH2OH, is an alcohol, a group of chemical compounds whose molecules contain a hydroxyl group, ? OH ? bonded to a carbon atom.?
