A discussion on the effect of the director on the outcome of a film via a comparison of Franco Zeffirrelli and Kenneth Branagh's different adaptations of William Shakespeare's play, "Hamlet."
Written in 2008; 1,355 words; 2 sources; MLA; $ 45.95
Paper Summary:
This paper compares Franco Zeffirrelli and Kenneth Branagh's new and different ways of adapting William Shakespeare's play, "Hamlet" into film. The paper shows how each film may depict the play differently, but both directors find and expose Hamlet's frailty, which represents nothing less than mankind's frailty. The paper discusses how both versions of the play illustrate how directors can influence films from a screenplay.
From the Paper:
"Franco Zeffirrelli and Kenneth Branagh demonstrate the power of the director in their adaptations of Shakespeare's Hamlet. Zeffirrelli presents us with a hamlet that lives in a dark, grey world. He is sad and crestfallen; he is lost and, in many ways, does not want to be found. The setting highlights his dark mood and Zeffirrelli uses many props to develop his version of Hamlet. Branagh's Hamlet lives in a brighter world, although his inner world is filled with much torment. We also see how directors take privileges with what they omit and add to films. Zeffirrelli left much out while Branagh added questionable material. Both films are enjoyable regardless of their differences; however, Zeffirrelli gives us a Hamlet that seems closer to the man we envision when we think of Shakespeare's tormented price."
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