An analysis of Kazimir Malevich's "White on White" and Yves Klein's "Blue Monochrome" paintings.
Written in 2009; 1,441 words; 7 sources; MLA; $ 47.95
Paper Summary:
This paper explains that artist Kazimir Malevich was fond of the color white as a representation of an infinite expanse, of a nature that could deliver humanity from the czarist totalitarian model to a culture of awakening, innovation and technological invention. The paper then goes on to examine the blue of the monochrome style of Yves Klein and explains that it is a symbol in a chromatic sense of that infinity, and the representative communication of the potential that a post Czarist free society provides to all humanity. The paper therefore shows how "The Blue Monochrome" was the physical manifestation of the abstract concept and the premise that Malevich represents in the "White on White" painting.
From the Paper:
"The political or social goal of the paintings is fuelled by the post revolutionary political leanings of Malevich in his pursuit of a more tangible sense of both personal sensibility and social enlightenment. The social enlightenment represents the space or era beyond what was the evolving form of post revolution social stabilization that is represented by the artistic movement that the post revolution Russian world presented. What is defined for Klein was an abstract notion of action and existence that specifically addresses the heightened need for spiritual evolution that was first epitomized by the utopian vision of Malevich."
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