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Shakespeare's Turning Japanese


Shakespeare's Turning Japanese
A comparison of Japanese kabuki and Shakespeare's plays, addressing the similarities of the works as well as Japanese adaptation of Shakespearean works.
2,500 words (approx. 10 pages) | 12 sources | 2000 United States


Paper Summary:

This paper presents an overview of kabuki, including its origins, role in Asian culture, and aspects of performance. Discussion of how Shakespeare's works have been adapted to a kabuki form dominate the paper. Special attention is paid to the woman's role in kabuki theater.

From the Paper:

"Drama is an ancient art form, steeped in various world traditions that have many precepts and edicts of rehearsal, production, and performance. The following is a presentation of two viewpoints, and the repercussions of the fusion of the traditions in performance and translation. The Asian world views performance as an attainment of character through repetition and form-study, to learn not just the dialogue and songs of a samurai or handmaiden, but to become that character using extra-ordinary body position (termed "extra-daily technique"), elaborate costumes and makeup, as well as traditional music. There are several styles of performance, but the most flamboyant is kabuki. Presently, there are four hundred plays in the conventional canon, but approximately thirty are performed each year in a seasonal cycle within Japan."

Cite this paper

APA Citation:

Shakespeare's Turning Japanese (2012, January 15). Retrieved February 13, 2012, from http://www.academon.com/Comparison-Essay-Shakespeare's-Turning-Japanese/2654

MLA Citation:

"Shakespeare's Turning Japanese" 15 January 2012. Web. 13 Feb. 2012. <http://www.academon.com/Comparison-Essay-Shakespeare's-Turning-Japanese/2654>




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Published by:

dpwac US
Publisher Since:
Nov 26, 2001
I graduated high school seventh in my class. I completed my BA in English in Washington College in MD, May 2003.
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