A comparison of the films "Seven Samurai" and "The Magnificent Seven."
Written in 2007; 1,119 words; 0 sources; $ 38.95
Paper Summary:
This paper compares the films "Seven Samurai," directed by Akira Kurosawa and "The Magnificent Seven," directed by John Sturges. The paper analyzes several elements of filmmaking, focusing mainly on cinematography, editing and acting. It also addresses the use of vignettes and deep focus. The paper focuses on the aspects that differentiate the two films.
From the Paper:
"Akira Kurosawa's Seven Samurai (1954) and John Sturges' The Magnificent Seven (1960) are a great example of how film can come full circle. Kurosawa's film came about due to the popularity of Hollywood westerns in Japan at the time. In turn, Sturges was inspired by Seven Samurai and remade it using the Hollywood style of film making. Both films follow the same basic plot. A rural village is beset upon by a gang of bandits on an annual basis. The villagers decide to band together whatever small amount of wealth is left to pay mercenaries to defend them. Seven heroes are recruited and together they ultimately fend off the bandits at great cost to the group. Both films highlight the differences in the mercenaries and their experience. They both address class issues between drifter and peasant. Also, each film is considered one of the greatest if not the best in its genre of samurai films and western films respectively. However, there are major differences between the two. While there are minor differences between the plots (The villagers in The Magnificent Seven actually begin by searching for guns not gunfighters), it is the balance between cinematography, editing, and acting used to tell the story that really differentiate the two films."
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