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Rebellion in Canadian Cinema


Rebellion in Canadian Cinema
An analysis of the representation of rebellion in Canadian cinema as compared to American and British cinema.
1,911 words (approx. 7.6 pages) | 0 sources | MLA | 2007 United States


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Paper Summary:

This paper argues that Canadian films such as "Goin' Down the Road"(1970), directed by Donald Shebib and "Nobody Waved Goodbye"(1964), directed by Donald Owen, ultimately suggest that Canada has not yet found its solution to the problems of societal rebellion and tension and neither adolescents nor adults can articulate an ideology of meaningful resistance.

From the Paper:

" The film's jerky camera motions, overlapping dialogue, and clumsy scene splicing highlights this unfinished nature as well. Peter is an unfinished person, isolated even from other people his own age, and the only coherent windows on his life are provided by the jumps and jerks of the confined black-and-white cinematic lens. Unlike the delinquents of America who gleefully flee to the open road with a sense of possibility, to Peter the nation of Canada is so vast, so isolate and rural, that he feels he has nowhere to go within its borders, even when he is driving in a (stolen) car. "

Cite this paper

APA Citation:

Rebellion in Canadian Cinema (2012, February 09). Retrieved February 13, 2012, from http://www.academon.com/Comparison-Essay-Rebellion-in-Canadian-Cinema/98432

MLA Citation:

"Rebellion in Canadian Cinema" 09 February 2012. Web. 13 Feb. 2012. <http://www.academon.com/Comparison-Essay-Rebellion-in-Canadian-Cinema/98432>




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Published by:

Champ US
Publisher Since:
Sep 16, 2007
Writers for this organization have PhDs, Masters and Bachelors degrees. Nothing less is acceptable. All have exceptional writing skills that is reflected in their work.
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