This paper offers a comparison and contrast of racism and inter-racial marriage as seen in "Grass Dancer" by Susan Power and "Mean Spirit" by Linda Hogan.
Written in 2007; 983 words; 2 sources; MLA; $ 34.95
Paper Summary:
The paper analyzes the racism inherent within the institution of marriage within the two novels "Grass Dancer" by Susan Power and "Mean Spirit" by Linda Hogan. The paper discusses Hogan's use of racism against Native-Americans through the marginalization of Indian culture by whites who discourage inter-racial marriages. The paper also demonstrates how Power reveals a similar aspect of the broken and racist institution of marriage through the experiences of Jeanette McVay's marriage to a Sioux man. The paper concludes that both authors provide similar, yet differing perspectives of racism within the inter-racial marriages that arise within these two Native-American fiction novels.
From the Paper:
"The novel Mean Spirit by Linda Hogan reveals the intensive racism that the whites impose on the Osage people. The plot of the novel revolves around the Osage people, and their struggles against the white oil barons that are trying to remove them from their oil-rich lands. This plot premise invokes the motive for the white oilmen to find ways to discourage compassion or empathy for the native Americans within their own culture, so that they can take the oil from the Indians. One way that Hogan imposes a white hegemonic racist construct is through the institution of marriage. For instance, when a white man and Indian woman are married, Hogan reveals the symbolic and legal marginalization of interracial relationships within white culture."
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