A comparative analysis of the power struggles that are depicted in William Shakespeare's play "Antony and Cleopatra", William Golding's novel "Lord of the Flies" and the movie "Dr Strangelove".
Written in 2005; 2,283 words; 7 sources; MLA; $ 70.95
Paper Summary:
This paper examines how William Shakespeare creates the tension between the ideal and the pragmatic in his play "Antony and Cleopatra", but ultimately approves of Antony and Cleopatra's imaginative power over Caesar's practical but corrupted political power. In comparison, it looks at how "Lord of the Flies" by William Golding questions the power of civilisation and altruism in the face of barbarity while the movie "Dr Strangelove", directed by Stanley Kubrick, is a product of its context and depicts the horror of the destructive nature of man, as a result of the power plays that are happening between the most "powerful" men in the world.
From the Paper:
"The Lord of the Flies (1954) by William Golding is an allegory on true human nature. The text questions the power of civilisation and altruism in the face of barbarity. Golding transforms the novel The Coral Island (1857) by R.M. Ballantyne, changing the optimism in civilized values of English society displayed in the novel, to questioning the ability of civilizations to cope with barbaric impulses, emphasizing this transformation in theme by direct reference to the novel: "Jolly good show. Like the Coral Island", stated by the officer at the end. To create this powerplay between civility and barbarism, Golding symbolizes the respective traits in Ralph and Jack, both characters take from The Coral Island with the same names. Ralph symbolizes the power of civility, democracy and order while Jack symbolizes the power of anarchy, savagery and innate evil."
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