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Comparison Essay # 93589 :: Multiculturalism and the Canadian Documentary
This paper discusses the issue of multiculturalism in Canadian film.
Written in 2007; 2,435 words; 6 sources; MLA; $ 74.95
Paper Summary:
In this article, the writer points out that Canadian documentary directors have used the genre to effectively illustrate facets of multiculturalism and style that would be lost in the non-documentary film-making world. The writer discusses and compares three films in this paper. The writer describes that Simcha Jacobovici and Roger Pyke present a striking memorandum that illustrates the pain and struggle of religious persecution in the film 'Expulsion & Memory: Descendants of the Hidden Jews'. Similarly, the writer looks at Alanis Obomsawin's 'Richard Cardinal: Cry from the Diary of a Metis Child'. The writer also discusses 'Shooting Indians: A Journey with Jeffery Thomas' by Ali Kazimi that quietly illustrates one man's struggle to change the stereotypical image of Native cultures and people in North America, while also reflecting on the relationship of culture as the director shares his cultural background. The writer concludes that through different uses of the documentary genre, all three films effectively use the factual background to establish strong views of multicultural identity.
From the Paper:
"As a film style, documentaries are tied to stricter guidelines than other films because they must adhere to fact to some respect. While many filmmakers might see this as a problem or hurtle, well-made documentaries take advantage of this factor as strength. American director St. Clair Bourne explains that the making of a fictional movie is much more demanding because the background and context must all be created from scratch; he finds documentaries to be more about interpretation and bringing out the real story that already exists within a context. This is the case with the three films discussed here, though each film faced different challenges in creation, and succeeded in different aspects. Each of these films takes the raw material of the history involved and shapes it to create a story with whatever intentions exist from the directors."

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