A comparison of three articles reviewing Peter Greenaway's 1989 film, "The Cook, the Thief, His Wife and Her Lover."
Written in 2007; 1,307 words; 0 sources; $ 44.95
Paper Summary:
This paper compares and contrasts three articles on Peter Greenaway's 1989 film, "The Cook, the Thief, His Wife and Her Lover." It discusses the article's similar themes and opinions in order to prove that Greenaway has contributed to the evolution of 20th century visual art practice. The articles that it discusses are "Peter Greenaway's The Cook, The Thief, His Wife and Her Lover," written by Chantal Cornut-Gentille D'Arcy, "The Cook, the Thief, His Wife and Her Lover: A Discourse on Disgust," written by Robert Sinnerbrink and an article by Dayana Stetco titled "The Crisis of Commentary: Tilting Windmills in Peter Greenaway's The Cook, The Thief, His Wife and Her Lover" found in "Peter Greenaway's Postmodern/Poststructuralist Cinema."
From the Paper:
"After successfully comparing and contrasting each of the three authorities stances on Peter Greenaway's, The Cook, The Thief, His Wife and Her Lover, it can be seen that each text has clearly established that the film has important world philosophies. All texts agree that there were strong historical and political references to the Jacobean Revenge Tragedy, Thatcher Politics, and the French Revolution, and they all note how the visual elements such as colour and camera movements contributed to the production. All three authorities agree that even though the film presents some controversial themes and ideologies, it is still a film that should be viewed and analysed for its crucial meanings and relevance to modern and postmodern society and visual art practice and its focus on important world philosophies. Overall, through analysis of three authorities, it can be clearly seen, that Greenaway's, The Cook, The Thief, His Wife and Her Lover is a film with multiple meanings, presenting important world philosophies through visual representation. For all these reasons, it can be seen that Greenaway has made a significant contribution to the evolution of 20th century visual art practice."
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