This paper describes Jacques Demy's film "The Umbrellas of Cherbourg" and compares it to the film "Moulin Rouge" directed by Baz Luhrmann.
Written in 2007; 945 words; 3 sources; APA; $ 33.95
Paper Summary:
This paper explains that, because the film's dialogue is sung rather than spoken, which suggests a romantic comedy or Hollywood musical, French director Jacques Demy's film, "The Umbrellas of Cherbourg", (1964), a tale of thwarted young love set to music, is more heart-wrenchingly realistic and bittersweet than the fantastic presentation more typical of this genre. The author points out that this film's most obvious contemporary parallel would be Baz Lurman's "Moulin Rouge" (2001) in that it, too, is largely sung rather than spoken and has a cast of largely poor young people and a heroine who must choose between a poor man she loves and a rich man who can provide her with worldly comforts. The paper relates that the greatest difference between the plot of "The Umbrellas of Cherbourg" and "Moulin Rouge" is the portrayal of the 'other' love interests.
From the Paper:
"At the beginning of the film, at first, Genevieve believes that love can conquer all. She only alters her point of view after she receives a few spare letters from Guy when he is away, and she wonders if she will be left pregnant and alone. Again, the theme of Guy and Genevieve as star-crossed lovers, a la Romeo and Juliet, is suggested by the plot. The viewer is called to wonder, if only Guy had not been drafted, if only Genevieve had not become pregnant and thus would have felt more secure waiting, if only her mother had not pressured her daughter for so long..."
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