An analysis of the different influences that impacted on Claude Monet's "Charing Cross Bridge, Fog" and Lawren S. Harris' "Lake Superior."
Written in 2008; 1,097 words; 1 sources; MLA; $ 38.95
Paper Summary:
This paper compares and contrasts Claude Monet's "Charing Cross Bridge, Fog" from 1902 and Lawren S. Harris' "Lake Superior" from around 1924. The paper provides a brief history of each artist and his work and then discusses how these two works show some of the different influences on art that are evident from different time periods.
From the Paper:
"The painting shows the Impressionist desire to capture a particular moment in all its specificity, recreating the impression left of the light, the contrasts, and the movement. Monet indicates the movement of the mists in the direction of his brushstrokes and in the way the colors seem to create a whirling effect, a clockwise movement of both water and atmosphere. Seitz notes that Monet was beset by a "drive to capture the full range of natural effects, however impalpable or transitory" (Seitz 338). In this picture, his attempt to do just that is quite apparent."
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