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Hamlet in Films


Hamlet in Films
A comparison of the styles, tones and protagonists in Laurence Olivier's 1948 and Franco Zeffirelli's 1991 versions.
1,350 words (approx. 5.4 pages) | 2 sources | 1994 United States


From the Paper:

"The character of Hamlet in the play of the same name by William Shakespeare has long been a difficult one for critics to assess because he is seen as passive rather than active for most of the play. Early in the play he is charged with the task of avenging his father, a task given him by his father's ghost, and yet for most of the play he does nothing about it. He is highly reflective but inactive until the very end of the play when he does his duty, destroys the man who killed his father, and is himself destroyed. Critics have pondered the question of why he waits so long. In his film version from 1948, Laurence Olivier answers this question in a spoken prologue, stating that this is the tragedy of a man who could not make up his mind. There is no prologue in the Franco Zeffirelli version from 1991, with Mel Gibson in the title role, and it is less clear why Hamlet..."

Cite this paper

APA Citation:

Hamlet in Films (2012, January 15). Retrieved February 12, 2012, from http://www.academon.com/Comparison-Essay-Hamlet-in-Films/21342

MLA Citation:

"Hamlet in Films" 15 January 2012. Web. 12 Feb. 2012. <http://www.academon.com/Comparison-Essay-Hamlet-in-Films/21342>




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