A comparative analysis of the books "Observations on Marxism and the Lakota Tradition" by Frank Black Elk and "Those Dead Guys for a Hundred Years" by Jimmie Durham.
Written in 2002; 1,055 words; 2 sources; MLA; $ 37.95
Paper Summary:
This paper discusses how both the books "Observations on Marxism and the Lakota Tradition" by Frank Black Elk and "Those Dead Guys for a Hundred Years" by Jimmie Durham critically examine the historical Native American tradition in America from a contemporary Native American perspective. It examines how Frank Black Elk examines his heritage with a critical economic and political eye, as well as attempts to discuss his personal search for his identity as a Native American man today. Jimmie Durham, in contrast, is much more concerned with the social and psychological terms of historical and ethnic "memory" of all Native Americans. It shows how Durham defines himself, not against an ideology or against European society, but in contrast to individuals whom he never know, yet he still sees as an intrinsic part of his past. It looks at how Durham attempts to reconstruct the lives of Native Americans from long past, while Elk is more concerned with reconstructing his own sense of self.
From the Paper:
"In contrast, the Native American author Jimmie Durham views his past and his connection with Native American heroes in a far more unbroken fashion. He views his connection with the dead and even the defeated as a living tradition, rather than the dead Native Americans as part of the past. ?For us, history is always personal. (I remember the Trail of Tears and Sequoia's efforts as though I had been there.) History is directly involved with our families and our generations; tied with sacred white cotton string to the sweet and intense memories of our brother or sister is the desperate and intense hope of each generation to change this history.? (Durham 171-2). Durham views his identity as a Native American, despite the currently marginal status of his people, as a viable source of identification. He portrays the supposed split between the culture of the living and the dead as simply yet another manifestation of white ideology and anathema to Native American culture."
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