The dichotomy of Dylan's "Subterranean Homesick Blues" and "I'm So Bored With the USA."
Written in 2002; 2,996 words; 2 sources; MLA; $ 88.95
Paper Summary:
This paper is a comparison of the two pieces of music. The author examines the way the social discontent at the time is portrayed in these writings. A look at the way American culture impacted the making of these at the time.
From the Paper:
"In 1965, Woody Guthrie's most apparent heir turned his back on the folk community and, in his desertion, remarked that he didn't want to write "fingerpointing" songs anymore. He wanted to turn the focus inward. But as he did so, Bob Dylan left his spurned constituency with some parting words of advice. With the release of the landmark collection, Bringing it All Back Home, Dylan unleashed a sneering, visceral ode to the American Dream in "Subterranean Homesick Blues." And in a fashion only befitting of Bob Dylan, he was not simply passing the entrance exam into the world of rock and roll with this jarring electric riot. Rather, he was initiating rock to its new path, opening an as yet undiscovered gateway both lyrically and musically. Clocking in at a wheezy and exhausting two minutes, twenty-one seconds, it has been most aptly described as Chuck Berry's "Too Much Monkey Business" on amphetamines. And if that's true, than the punk movement that would snarl out of London in the late seventies may just be Bob Dylan on Bass Ale and heroin. Where Bob Dylan pioneered the sneer, The Clash wore it on their sleeve. On their self-titled debut in 1977, the quartet took rage to a level rivaled at that time only by the Sex Pistols, and Iggy Pop of course. In doing so, they also forged a blueprint for the punk aesthetic with the furious thrash of "I'm So Bored With the USA."
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